CR Blog

The Look Of Love

Art, Photography

Posted by Patrick Burgoyne, 2 February 2009, 12:38    Permalink    Comments (11)

Amid all the doom and gloom in the magazine world (apart from at CR of course) many seem to be clinging onto the impending launch of Condé Nast’s bi-annual style title, Love, as the sole light in the darkness. And we have an exclusive first visual of the magazine's logo

Love, which launches on February 19 will be put together by the same creative team behind Pop, who have defected to the new title en masse. While still feverishly finishing the layouts for the first issue, creative directors Lee Swillingham and Stuart Spalding (of design studio Suburbia) gave us first sight of Love’s logo which, says Swillingham, embodies the differences between the new magazine and the one to which it is sure to be compared.

“Love will be like the older sister of Pop,” Swillingham says. “It’s an evolution of the concept of a high fashion and style maga­zine. It’ll be a bit more grown-up, with better budgets and more possibilities creatively.” Condé Nast’s involvement, he thinks, will give them more clout, allowing them to attract photographers that they had not been able to work with at Pop, while also showcasing new talent.

For the logo “we didn’t want anything that looked like Pop, which is a little bit plastic and very much a product of its time. We wanted to ignore any notion of being hip or trendy and do something classic.”

The logo uses Cimiez, originally designed by Gert Wiescher and based on a 19th century French engravers’ typeface. The reason? To hark back to the early days of maga­zine publishing as well as Condé Nast’s heritage. “We re-drew it and tweaked it to make it more suitable for a ‘headline’ setting,” Swillingham says. Other versions will be used in later issues, including a flat graphic variant.

11 Comments

I'm not convinced.

In any context it looks dated and dull, and on first impression I thought it was a soap brand ident.

Maybe I'm completely wrong, but when thinking about the team that are involved in this interesting collaboration - and that the magazine is, in essence, a Vogue London - I expected something a little more iconic and distinct.

I hope the cover layout is something new and special, and not a Vogue look-e-like. I'm guessing large format and b/w cover.

Baited breathe, n'all that.
CCW
2009-02-04 13:07:11


err - isn't that the old HOVIS logo...
GregM
2009-02-04 13:21:02


Love the style.
Adam
2009-02-04 13:56:37


Not sure about that exclusive - it was attached to their press release back in September.

Witness: http://www.fashionologie.com/2584754
Andrew
2009-02-04 14:11:40


hey, moderator, what was wrong with my first comment - the letter spacing could be improved...
pablo
2009-02-04 14:23:00


@Pablo

Sorry about that. Thanks for letting me know it was you, I accidentally deleted your comment. Please do post again
CR Mark Sinclair
2009-02-04 14:27:15


Nice font, shame about the inconsistent letter spacing.

“We re-drew it and tweaked it to make it more suitable for a ‘headline’ setting,”

Over-tweaked I guess.
pablo
2009-02-04 14:33:21


It's terrible! Anytime you hear the words "we wanted to hark back to the heritage of..." etc and the word "classic" are to be re-read as "ran out of ideas". Lets face it CR would never feature this if it wasn't from the publishers of Vogue. It's looks like a school design project.
ashtonturner
2009-02-04 18:04:22


I like this. Its a clever take on the 'serify' fashion magazine logo. Appropriate for a Conde Naste title. If its the same guys that did Pop, they clearly have a handle on interesting typography.
Steve
2009-02-04 23:56:05


They are advertising this magazine in the current Vogue which I’ve had for over a week so not sure it’s 'exclusive'? It’s a half page advert with the belle de jour Agyness Dene. Its looks very intriguing and I will definitely be buying it!
Debbie
2009-02-05 16:24:48


I think this is a very elegant piece of graphic design. As a typographer myself, I disagree with the above comments. There is a very human feel to this logo, and the letter spacing is appropriate. Its also an interesting approach for a fashion magazine.
Baker
2009-02-06 22:42:36


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