CR Blog
In a stunning series of photographs of creatures, a new book reveals just how far removed we are from the animal world. Giacomo Brunelli’s The Animals is no ordinary collection of wildlife photography...
Taken in his native Italy, Brunelli’s images in The Animals offer glimpses of familiar creatures – dogs, cats, birds, horses – but they are invariably disarming and unsettling.
Brunelli’s photographs not only look like they have come out of another time (no doubt helped by the fact that they were all taken on a 1968 Miranda Sensomat camera) but they also belie the age and experience of someone who took up photography aged 24 (Brunelli is now 31).
In her introduction to his book, which is published by Dewi Lewis, the curator Alison Nordström refers to critic John Berger’s observation that animals are the quintessential Other and that we look at them to define and discover ourselves.
What emerges from Brunelli’s collection is just that: creatures we think we know, ones that we routinely pet, tame, even house, reveal themselves to be unfamilar, utterly unknowable beings.
It’s unsettling stuff. In one striking image (shown top), a dog reveals a pair of glowing eyes and bright white teeth. But is it a face of aggression, or one of fear? It’s hard to tell. In a different set up, a white dog appears luminescent on a black cobbled street; in another, a horse shakes dust from its mane, offering up an almost human-like pose and expression.
In a more sedate sequence, a snake mimics the shape of a bending plant, while on the following page a dead mouse lies supine, seemingly reaching for the petals on a flower.
It’s clear that, as viewers, we find it difficult to look at these animals without investing something of ourselves in them. The reality is, of course, that they are much less like us that we like to think.
As Nordström puts it, Brunelli’s pictures help us to realise that the barking dog, the jumping cat are “secret and magical” creatures. It’s testament to his skills as a storyteller that Brunelli’s animals convey both the everyday and the mythical.
Dewi Lewis Publishing; £25. More details at dewilewispublishing.com
5 Comments
Very Very Very Very Very Very NICE.
2009-03-25 12:38:27
Went to see this collection in Wrexham a few weeks ago. Absolutely fascinating and surreal. They were taken whilst Brunelli was going for a daily wander around his village. I wonder what would be found and documented in the British landscape...
2009-03-25 15:25:19
this is by far the most fascinating nature photography I have seen. I think I admire Brunelli for having separated himself from the ordinary nature photography (incredibly repetitive in my opinion) and shown a truly different face to animals.
very nice work
2009-03-27 01:07:07
that dodge & burn is just criminal. If you did that in the 60s you'd get fired.
mmmm, strikes me as a bit pretentious.
2009-03-27 10:48:29
Who cares about the dodging and burning, although I do think it works better when its less obvious. Good black and white printing has always - among other things - been about skilful dodging and burning. Photographer/printers in the sixties like; Jean-Loup Sieff and Sam Haskins won awards for pushing their dodging and burning to the limit.
The main lesson from Giacomo Brunelli's work is that like most good photographers he extracts philosophical insight from his every day surroundings - without the need to seek deprivation, gore or glamour for his lens. With a sensitive eye and his camera he has allowed us to look into his consciousness and in the process nudged ours. That's the essence of what makes photography special.
2009-04-02 04:10:47
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