CR Blog
The LOVE Thing
Posted by Gavin Lucas, 15 February 2010, 12:50 Permalink Comments (9)

Fashion magazine LOVE has launched a 60 second film, directed by CG specialist James Lima, to advertise it's latest issue...
Launched yesterday (Valentine's Day) the film, entitled The LOVE Thing, was shot on a RED camera (ultra high-res digital moving image camera) with CG street scenes created by Lima - who has created CG environments and films for the likes of Madonna, Nike, James Cameron and Steven Spielberg. He also directed Prada film, Trembled Blossoms (it was Miuccia Prada that introduced Lima to LOVE's editor-in-chief, Katie Grand).
The LOVE Thing stars a selection of models that feature in the current issue of the title, including Jeneil Williams, above...
The LOVE Thing from LOVE on Vimeo.
It's interesting to see more fashion work shot using a RED camera. In our forthcoming (it's out later this week) 30th anniversary issue of CR, we asked a range of prominent figures, including practitioners, critics, curators and academics, to tell us about one thing, person, idea or place that they are excited about for the future - in order to create a list of 30 exciting prospects for the future. RED cameras is one of those 30 things and we have illustrated a short piece about the cameras with a recently shot Prada campaign, art directed by David James and shot by Steven Meisel using a RED camera to shoot film from which the campaign stills were pulled.
Also in the issue, Channel 4 creative director Brett Foraker nominates photographer David Drebin as one to watch but talks as well about the fact that photographers can now shoot video as they shoot stills. "It's simply a matter of producing more sequential frames than was possible before." Foraker also goes on to note that different ways of producing work with cameras will mean that the laws governing rights and ownership as they pertain to photography and moving image will have to undergo a major rehaul in the coming years...
Potential problems with image rights aside, one thing looks certain: fashion and its leading image makers are now embracing moving image like never before...
"I'm very excited by the idea of [fashion embracing] moving image," says LOVE's Katie Grand. "Clothes and bodies look better in motion. The new technology surrounding the iPad is also very interesting to me, and it's thrilling to try and find a new way of working with fashion that isn't just two-dimensional. Adding sound and movement to fashion is a huge and very exciting challenge."
9 Comments
A bunch of sound and fury, signifying nothing.
2010-02-15 15:12:34
Ho ho yes, that video is flat baps but #Katy's blog is lovely.
2010-02-15 16:25:29
I love David Drebin's photographs as they at least make me FEEL something as opposed to most photographs that are all style and little substance.
2010-02-15 20:10:48
Great ideas. Fast and furious, no time to take a breath.
Musics a bit grating on the eardrums.
Motion will hit fashion in a big way affecting stills photographers that shoot fashion stuff.
Bip
2010-02-15 20:52:40
Clothes and bodies look better in motion says Madam Grant, this is based on?? What exactly???? A good still image
Fashion film only makes it entry these past months due to the availability of broadband on most pc's and the fact that still cameras can produce moving images now as well. yet the majority being produced sofar all reeks and above all taste the same. Their mediocre lighting abilities the average fashion photographer becomes even more evident.
Then again in a disposable industry who cares.
2010-02-16 09:38:07
I really want to buy a bra now. Really effective advertising.
2010-02-16 10:57:30
erm, why are the credits longer than the actual piece?
(which is nicely cut in my opinion)
2010-02-16 15:49:44
Nothing I like more than a nice long list of names, it really gets me going - but what was that little bit at the beginning all about with those skinny girls pulling silly faces?
2010-02-16 17:01:19
I agree with the above comment about the average fashion photographer not being able to cope with certain lighting situations.
Check out this little fashion motion thing I shot for KCTV.co.uk a while back.
http://www.kctv.co.uk/stories/074_flash.html
It cost about 5p - but has character. Could not afford a RED camera, so a mobile phone was gaffer-taped close to the axis of a stills camera.
I was trying to highlight the crossover from the page to the web.
I still think there will be a place for stills photography using flash to capture a moment - it is a very different process to filming action and then grabbing frames.
Discuss!
2010-02-16 17:51:18
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