CR Blog
World Basketball Festival identity
Graphic Design, Illustration, Type / Typography
Posted by Mark Sinclair, 8 September 2010, 9:12 Permalink Comments (9)

Sheffield-based studio Sanderson Bob were behind the branding for Nike's recent World Basketball Festival and used a range of glyphs from different languages to add international flavour to the typography...
"We felt the branding and typography had to symbolise the 'World' aspect subtly; no globes or flags," says the studio's Bob Sanderson. "We decided to borrow from world language glyphs to do this. It had to be an interesting enough idea to work on its own as the branding for the event, and also create a typographic style that could sit well with other elements."



"The typography isn't over styled but was custom-made for the event. It was important not to over complicate the solution as it had many applications. The final outcome is, we think, a beautiful, balanced project combining type and illustration."
Taking a bit of license with the odd cedilla and accent here and there, the studio used various glyphs from different languages more as visual motifs, creating a more global feel to the typography in the process.
The illustrations that feature in the campaign are by Saiman Chow.



Sanderson Bob has also recently completed a new book for the US sportswear giant that, at 20"x 20" and 40lbs, covers the history of Nike, Converse and Jordan.
More at sandersonbob.com.
Branding and Typography: Sanderson Bob
Illustrations: Saiman Chow
Art Director: Michael Spoljaric at Nike
9 Comments
World language glyphs?
Or Latin, Greek and Cyrillic bits and pieces?
It's a nice aesthetic, cutting and chopping all those nice bits around, works well with the illustration style and colour range. With a pinch more thought the concept could have been even nicer I think though.
2010-09-08 11:40:20
I don't think it really represents anything Chinese, there world is out of question. More Hellenic looking, but it symbolises that basketball is a global game and not just a US phenomenon. The colouring is also quite catchy.
2010-09-08 15:08:58
Saw this on the street.
Liked it.
Frost did something similar a while ago.
Can't find it but it was the International Interpreting Service or something.
2010-09-09 11:29:31
It was Browns: http://www.brownsdesign.com/work/?cat=46&id=
2010-09-09 18:42:54
@Dave O — The graphic I think you are referring to was by Browns, their National Interpreting Service mark, which is no longer on their website. Crying shame, because it is a beautiful mark.
This project has a similar aesthetic. The use of glyphs doesn't feel as appropriate as the Browns execution though, which was all about language (I'm not convinced nations and cultures can be expressed solely through the written word). But it still makes for quite a striking, memorable identity system, which I'm sure was the intention.
On the theme or originality, Design Assembly has just published a great article on Originality vs Authenticity, well worth a look: http://www.designassembly.org/2010/09/09/originality-vs-authenticity/
I particularly like Chow's illustrations by the way, really interesting.
M
2010-09-09 19:46:56
I found a link to the Browns identity mentioned above:
http://supergraphic.blogspot.com/2007/10/que.html
Really clever solution, beautifully executed.
2010-09-10 16:41:04
great work!
for sure they knew Ruedi Baur and the Cité Internationale project:
http://www.decitre.fr/gi/31/9782858938131FS.gif
2010-09-12 21:39:34
NIS is still up on the Browns site, here's a link:
http://www.brownsdesign.com/work/?cat=46&id=
2010-09-13 13:16:22
Nice illustration.
2010-09-13 17:08:21
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