CR Blog

Nokia Gulp short film

Advertising, Music Video / Film

Posted by Eliza Williams, 3 August 2011, 16:45    Permalink    Comments (9)

Wieden + Kennedy London is on something of a roll this week, first releasing the new Cravendale spot and now this short film for Nokia. Titled Gulp, it is shot entirely on the Nokia N8 phone and has just set a Guinness World Record for the ‘World’s Largest Stop-Motion Animation Set’.

Gulp sees W+K team up once again with Aardman Animations, who previously worked with the agency last summer on Dot, another Nokia film which also set a world record, that time for ‘Smallest Stop-Motion Animated Character’. Dot was a huge success, picking up numerous awards, including a Best in Book gong in this year’s CR Annual.

Directed by Sumo Science (Will Studd and Ed Patterson), who were also behind Dot, Gulp is an animated story about a fisherman going about his daily catch, when an unexpected event occurs. It was shot on location at Pendine Beach in South Wales. The film aims to showcase the Nokia N8’s Carl Zeiss optics and its 12-megapixel photography capabilities. Three phones were used to shoot it, and were elevated 36 metres above the ground on a cherry picker in order to film the (record-breaking) set, which was over 42 x 24 metres in size.

The making-of film below explains how it was all done.



Credits:
Agency: Wieden + Kennedy London
Creative directors: Kim Papworth, Tony Davidson
Creatives: David Bruno, Tom Seymour
Production company: Aardman Animations
Directors: Sumo Science
Sand art director: Jamie Wardley

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9 Comments

Love it but everyone still seems to be using Jan Van Hollebens style.
stevelondon
2011-08-03 16:53:13


This is cool and well executed, but it's not like the N8 enabled them to do it (ok, the phone has a good lens). Great for awareness, but it doesn't exactly sell the phone as anything unique in my opinion.
Spencer
2011-08-03 16:54:10


impressive!
badinicreateam
2011-08-03 18:07:40


animating in sand on that scale. Must've taken freaking ages. madness.
Wheels
2011-08-03 20:17:38


its a boring film, and the phone is the least to do with it. massive team and tonnes of work doesnt make a dull concept interesting.
suze
2011-08-04 09:18:51


watch the frickin making of... why? to see that it took loads of work by little big ego's while making it? Not interested. The magic is in the product (ol' Bill Bernbach said), in this case the short film itself. not all the bullshit around it. Except there isnt any magic in this short film.
John
2011-08-04 11:34:47


I sort of like how ridiculous it is to do a huge setup with a crane then stick a mobile phone on the end of it. Probably as far as you can stretch it from the low budget Holleben approach so hopefully they have to move on now. Back to the internet to find the next small-scale idea to inflate...

The bigger picture is more about technique in a way - ads like this and movies like Monsters encroach on the role of film crews/camera people.
Decimal
2011-08-04 14:09:32


Animation students from the Bristol School of Animation worked really hard on it. They had a fantastic time and it was a great opportunity to work with Professional crew from Aardman.
Rachel
2011-08-04 16:08:42


If they're selling phones off the back off this, surely they could also use it to sell cranes?

Considering it isn't actually 'just a phone' that made this possible it all seems a bit pointless

(and the animation is a bit dull anyway, once you've got over the initial "oh, it's done in sand. how clever!")
Jason
2011-08-05 10:29:14


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