CR Blog
Look after your spines, book designers
Posted by Mark Sinclair, 4 February 2011, 14:12 Permalink Comments (6)

In design terms, it's probably the most neglected area of a book's cover, but new website Fixabook claims to offer a few pointers on how to get your spine in shape, amidst critique dedicated to creating eye-catching jackets...
Take the above collection, grabbed from Fixabook: some spines stand out, while others are largely illegible; some have clearly had some time spent on them (the Donna Tartt novel and that interesting-looking Marisha Peshl one); while others might make you want to hurl the book at the floor in a rage and stamp on it (no prizes).
The point is that while book design is largely celebrated in terms of what front covers and jackets look like, the spine can be an oft-neglected dead zone. And this is crazy, because in a bookshop it's what customers are presented with in their hundreds, aside from those copies fortunate enough to be displayed facing outwards, of course. Perhaps the rise of browsing online has removed the need to treat the spine as a significant part of the design? In any case, it's the reader who has to put up with any potential design horrors once it's up on the bookshelf.
Fixabook describe themselves as a consultancy "that analyses book design and gives strategic and creative guidance on jackets, blurbs and spines." While they offer a range of paid-for services, they also have plenty of analysis that functions as the blog of the website, focusing on covers, spines, and even how to write the best blurb for the back of your book.
For example, here's 'Winston' on the spine of Pushpesh Pant's India cook book:

Gorgeous. Of course we expect that from Phaidon and this book is another packaging triumph. The overall design concept was to make the book look and feel like a cooking ingredient. Simple and somewhat obvious but it has been carried off with panache – particularly in those versions that arrive in a soft cotton bag. The spine plays its part in the conceit quite beautifully. What makes it so charming is the addition of the weight ("1.5kg"). In itself, not a big thing but it it is amusing and it attracts comment – and for a spine that is quite an achievement.
And here's 'Jones' acknowledging a contemporary classic of spine design, Vintage's editions of Irvine Welsh:

Reheated Cabbage blew me away last year – Joss McKinley's still life was really innovative. The subsequent backlist repackage followed suit, but I never noticed how good the spines were until recently. Wow. Some of what we do isn't rocket science, but so many times we see space unused on a spine. ‘No here, Pal' as Begbie would say. The typography hits you in the face with the Welsh brand, and the titles fit nicely in there. The logotype is complimentary too; extending the crossbar of the ‘H' works really well. Check out the spine of an older edition on the right of this shot. What a difference. Nice one, Vintage.
Go to fixabook.com for more book cover analysis.

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6 Comments
Just to say that it's always possible to forget about the obvious.
When time is critical, the spine will be the number one item to attract the attention in a bookstore, yet, it is too often plain reversed typo on a black background. So much more can be done in this area, that's for sure. Brilliant observation!
2011-02-04 15:48:37
My biggest bugbear is when you get a collection of books or a dvd boxset that was intended as a set and packaged as one – yet all the logos, type etc jump around from one spine to another. Very frustrating.
2011-02-04 16:34:25
Here is a pretty typical review from this site, in full.
"This is a strong and memorable cover. The typography is particularly distinctive while the illustrative style perfectly captures the era in which the book is set. Even though the overall effect could have been cheesy and even quite camp, the Publishers [sic] have managed to pull it off. Even the way they have handled the reviews is good. By restricting themselves to a column of single words they increase the impact and by placing them at an angle they have added another small point of difference and interest."
The school-essay assertion of that opening sentence reappears again and again. Winston and Julia can't write and don't seem to have any hinterland. A cover mimicking Volkswagen ads is reviewed without giving any sign that the allusion has been recognised (a commenter has to do it). The provenance of the look of Sarah Waters' covers goes unnoted. Thin stuff.
2011-02-04 17:28:50
When we blog on Fixabook, we deliberately try to avoid discussions of provenance and influence. We try to look at a whole cover in the context of the 10-second decision-making process of the average book buyer. Will it grab readers' attention? Will the copy influence them to buy the book once they pick it up?
That's why we review functional covers as well as design classics, and why we spend as much time on blurbs and spines as on the fronts: we cover the commercial as well as the aesthetic side of book design.
We'd love to hear from you on the site - comments and suggestions are always welcome.
2011-02-05 10:44:59
I now find myself looking at my book shelves in a whole new light. I never really thought about this before, but thinking back I will often scan the shelves in a bookshop until I find a spine that catches my eye. I suppose it is an unconscious act, well was an unconscious act as I now have my eyes opened.
I agree whole heartedly with Davo regarding the books in box sets, it annoys me too.
2011-02-05 21:15:19
comment deleted by moderator
2011-02-06 07:52:00
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