CR Blog

LDF 2011: design from all angles

Graphic Design, Type / Typography

Posted by Mark Sinclair, 21 September 2011, 10:42    Permalink    Comments (11)

LDF posters

This year's London Design Festival opened at the weekend, complete with an identity by Domenic Lippa and his team at Pentagram; their fifth iteration for the annual event...

LDF invites

The design is hooked around the phrase 'design from all angles'. Lippa and team created the identity by printing text on pieces of paper, folding them and then photographing them from different angles. "The differing angles enable the 2011 festival to have a flexible identity across the whole gamut of events whilst maintaining a consistent look and feel," say Pentagram. "Once more the identity leverages its ownership of red in order to create maximum impact."

LDF guides

LDF badges

LDF map

Pentagram's work for the 2010 LDF identity is here. More details of what's on when at londondesignfestival.com.

11 Comments

It's a great idea. I'm guessing they must have gone back in and digitally removed any shadowing?
Alex
2011-09-21 12:18:41


Very Pentagram. I like.
Rob
2011-09-21 12:23:12


@Alex

I remember seeing the process somewhere (think it was on their blog). They printed out the straplines onto A3 paper, then folded the paper by hand before photographing.

They were then scanned and redrawn as vectors.
Rob
2011-09-21 12:51:21


Simple, strong, eye-catching. Lovely.

The strong use of the red really jumps out too, and makes the LDF stand out amongst all the events that are part of it. South Kensington was awash with it last weekend, nicely leading everyone to the V&A.
Marc
2011-09-21 13:03:07


I have to say the V&A store map for the design festival is the worst designed thing I've ever seen. Totally un-usable, hard work to find any of the rooms.
Which is certainly ironic.
J
2011-09-21 13:34:07


@J

I do actually have to agree with this. I bumped into two other people struggling to find anything and we wondered whether it was a deliberate ploy to get us to see ALL of the V&A en route. However, it may also be the result of a what is no doubt a very small budget.

The graphic elements are really strong though, including the huge typographic decals in the V&A which are lovely. Certainly feels as if Pentagram were given free reign to develop the identity, and it's worked well.
Marc
2011-09-21 14:07:58


Simple and ditinctive love the identity and think it carries well across to the posters.
John Scott
2011-09-21 14:41:58


It reminds me of the Wolff Olins rebrand for Current TV, but if there are visual similarities then it's a happy accident because they're both great. Simple idea, well executed.
Pannett
2011-09-21 15:27:08


i don't understand the headlines in design
vivian
2011-09-22 13:01:00


Looks like George Tscherny's work from the early 60s: http://goo.gl/QJGd9
But sweet stuff!
sarah
2011-09-27 13:43:48


I think the design is effective but lazy. The method behind the construction of the words is completely over the top and pointless. It does stand out though so I suppose it does it's job.
Mas
2011-09-28 08:48:00


Tell us what you think

What happens with my feedback?

We no longer require you to register and have a password in order to comment, simply fill in the form below. All comments are moderated so you may experience a short delay before your comment appears. CR encourages comments to be short and to the point. As a general rule, they should not run longer than the original post. Comments should show a courteous regard for the presence of other voices in the discussion. We reserve the right to edit or delete comments that do not adhere to this standard.

Share This — Social Bookmarking

Get the RSS Feed
NULL