A year on from the London riots, Peckham Space art gallery is launching a new public artwork on Peckham Square. The Peckham Peace Wall is by Garudio Studiage and celebrates, in permanent form, the post-it notes of love and respect for the area which grew on Rye Lane in the aftermath of last year's disorder.
The Wall features 4,000 original post-it messages that were displayed on boards covering broken windows in the area. The original project was started by four members of the Peckham Shed Theatre Company, with the first board covering a window outside Poundland, and the Wall eventually grew to fill seven hoardings.
For the permanent display, the original post-its have been digitally hand-traced by artists Garudio Studiage working with young people from Peckham. Locals will be able to re-find their contributions, and the Wall also features blank notes onto which new comments can be made.
To coincide with the project, Peckham Space and Garudio Studiage have produced a limited edition print inspired by the Peckham Peace Wall, sales of which will help fund local art clubs. The print can be bought online here.
The Peckham Peace Wall was commissioned by Peckham Space, with funding from Southwark Council's Greener Cleaner Safer fund awarded by Peckham & Nunhead Community Council. The photographs in the piece are all © John Clare Photography.
During August, Peckham Space is hosting a month-long programme of events inspired by the Wall, which will include a one day Peckham Peace Festival in Peckham Square on August 19. For more info, visit peckhamspace.com.
CR for the iPad
Read in-depth features and analysis plus exclusive iPad-only content in the Creative Review iPad App. Longer, more in-depth features than we run on the blog, portfolios of great, full-screen images and hi-res video. If the blog is about news, comment and debate, the iPad is about inspiration, viewing and reading. As well as providing exclusive, iPad-only content, the app will also update with new content throughout each month. Try a free sample issue here
CR in Print
The August Olympic Special issue of Creative Review contains a series of features that explore the past and present of the Games to mark the opening of London 2012: Adrian Shaughnessy reappraises Wolff Olins' 2012 logo, Patrick Burgoyne talks to LOCOG's Greg Nugent about how Wolff Olins' original brand identity has been transformed into one consistent look for 2012, Eliza Williams investigates the role of sponsorship by global brands of the Games, Mark Sinclair asks Ian McLaren what it was like working with Otl Aicher as a member of his 1972 Munich Olympics design studio, Swiss designer Markus Osterwalder shows off some of his prize Olympic items from his vast archive, and much more. Plus, Rick Poynor's assessment of this year's Recontres d'Arles photography festival, and Michael Evamy on the genius of Yusaku Kamekura's emblem for the 1964 Tokyo Olympics.
Please note, CR now has a limited presence on the newsstand at WH Smith high street stores (although it can still be found in WH Smith travel branches at train stations and airports). If you cannot find a copy of CR in your town, your WH Smith store or a local independent newsagent can order it for you. You can search for your nearest stockist here. Alternatively, call us on 020 7970 4878 to buy a copy direct from us. Based outside the UK? Simply call +44(0)207 970 4878 to find your nearest stockist. Better yet, subscribe to CR for a year here and save yourself almost 30% on the printed magazine.
Great looking piece, seems a shame some of it will be difficult to read (unless you're a basketball player). It'd be interesting to re-visit this in a year or two, to see how it has developed.
Neat and very colorful idea!
A limited edition print can be bought we're told in the article.
Limited indeed...limited to those 250 who can afford £68 + p&p + framing...which likely excludes many of the Peckham Wall contributors and a good chunk of the Peckham people.
Just more of the same ~ exclusion (with a sprinkling of the token cherry thrown on top).
What a great idea. It looks fabulous. It really underlines something good that did come out of the riots: a lot of Londoners actually reconnected with their community and rediscovered their sense or local pride.
Great idea. @ Nana Gumps, if you view the limited edition print as 'exclusion', you must feel very excluded from life in general. I feel for you and hope you'll figure out how to make yourself feel INcluded soon.
|A new marque for Glenlivet (2)|
|Mad Men bench unveiled in New York (8)|
|Creative coding: the making of Hackaball (1)|
|Paul Davis: pessimistic misanthrope (2)|
|Warning: design porn (10)|
|Top Tips for building a standout portfolio|
|How Fredrik Bond achieved an 'epic strut' for Moneysupermarket.com|
|Albertus and The Prisoner|
|The Magic Whip – the making of Blur's new album cover|
|Mad Men bench unveiled in New York|