Publicis' Lévy sends himself up in interactive Xmas message
CEOs' Christmas messages can be tedious affairs - the year in review delivered with monotone dreariness or faux festive cheer. But this year Public Groupe's Maurice Lévy sends up the Christmas message tedium in a nattily produced YouTube video that makes full use of the platform's functionality.
Viewing the clip on the group's YouTube channel, every time you fast forward, pause, adjust the volume or tinker with the video's playback in other myriad ways, Lévy responds. Pausing, for example, results in the CEO equivalent of thumb twiddling (playing on his Blackberry, polishing the desk paraphernalia or gradually nodding off), while an increase in volume makes him shout the rest of the message. Adjusting the playback quality, viewing full screen and clicking on the 'view on YouTube' link all result in amusing asides.
Not sure anyone will get all the way through the message, although it might be worth a go - who knows how Lévy might reward such perseverance.
Agency : Digitas France
Chief Creative Officer : Bridget Jung
Creative Director : Nicolas Thiboutot
Creatives: Philippe Pinel, Frederick Lung,
Art Director : Frédéric Roux
Motion : Jeremy Vissio
Video Production : WAM
CR In print
In our December issue we look at why carpets are the latest medium of choice for designers and illustrators. Plus, Does it matter if design projects are presented using fake images created using LiveSurface and the like? Mark Sinclair looks in to the issue of mocking-up. We have an extract from Craig Ward's upcoming book Popular Lies About Graphic Design and ask why advertising has been so poor at preserving its past. Illustrators' agents share their tips for getting seen and we interview maverick director Tony Kaye by means of his unique way with email. In Crit, Guardian economics leader writer Aditya Chakrabortty review's Kalle Lasn's Meme Wars and Gordon Comstock pities brands' long-suffering social media managers. In a new column on art direction, Paul Belford deconstructs a Levi's ad that was so wrong it was very right, plus, in his brand identity column, Michael Evamy looks at the work of Barcelona-based Mario Eskenazi. And Daniel Benneworth-Gray tackles every freelancer's dilemma - getting work.
Our Monograph this month, for subscribers only, features the EnsaïmadART project in which Astrid Stavro and Pablo Martin invited designers from around the world to create stickers to go on the packaging of special edition packaging for Majorca's distinctive pastry, the ensaïmada, with all profits going to a charity on the island (full story here)
Please note, CR now has a limited presence on the newsstand at WH Smith high street stores (although it can still be found in WH Smith travel branches at train stations and airports). If you cannot find a copy of CR in your town, your WH Smith store or a local independent newsagent can order it for you. You can search for your nearest stockist here. Alternatively, call us on 020 7970 4878 to buy a copy direct from us. Based outside the UK? Simply call +44(0)207 970 4878 to find your nearest stockist. Better yet, subscribe to CR for a year here and save yourself almost 30% on the printed magazine.
CR for the iPad
Read in-depth features and analysis plus exclusive iPad-only content in the Creative Review iPad App. Longer, more in-depth features than we run on the blog, portfolios of great, full-screen images and hi-res video. If the blog is about news, comment and debate, the iPad is about inspiration, viewing and reading. As well as providing exclusive, iPad-only content, the app will also update with new content throughout each month. Try a free sample issue here
|Scotland Can Make It! (1)|
|Steve McQueen at the Venice Biennale (8)|
|Nude rebrands Hoskins Contracting (1)|
|CR August issue: digital futures (4)|
|Remember when Levi's ads were great? (2)|
|How a Brazilian street artist and a Leeds design studio created Coke's World Cup identity|
|DesignStudio rebrands Airbnb|
|Designing for The Grand Budapest Hotel|