Handsome Frank's Tweet-A-Brief show
For a showcase exhibition, illustration agency Handsome Frank turned to its Twitter followers, asking them to tweet illustration briefs for its artists to respond to...
"We wanted to showcase the talent that we have on our books," explains HF co-founder Jon Cockley, "but we wanted to do something a little more engaging and interactive than just a themed exhibition. The Tweet-a-Brief concept not only helped us to spread the agency's name and make new friends and contacts, it really pushed our artists creatively and it's resulted in some of the best work they've ever produced."
The agency received over 200 briefs via Twitter and each artist on the ageny's roster selected his or her favourite and set about creating a new artwork. The resulting work is currently showing (until July 22) as the Tweet-a-Brief Exhibition at The Church of London's new 71a Gallery on Leonard Street. Here are a few highlights:
Helen Musselwhite created this three dimensional response to a brief to create "wallpaper coming to life in a dolls house"
Emma Kelly responded in pen and ink to Charlatans' singer Tim Burgess' tweet asking for someone to illustrate his favourite single, New Order's Blue Monday
A request to see "inside the mind of Stanley Kubrick" was responded to by Alexandra Bruel in clay
Stephen Cheetham chose to illustrate "140 characters"
And Handsome Frank showed off its spanky new neon logo by Malika Favre's response to "all things bright and beautiful"
The Tweet-a-Brief Exhibition runs until July 22 at 71a Leonard Street, London, EC2A 4QS
CR for the iPad
Read in-depth features and analysis plus exclusive iPad-only content in the Creative Review iPad App. Longer, more in-depth features than we run on the blog, portfolios of great, full-screen images and hi-res video. If the blog is about news, comment and debate, the iPad is about inspiration, viewing and reading. As well as providing exclusive, iPad-only content, the app will also update with new content throughout each month. Try a free sample issue here
CR in Print
The July issue of Creative Review features a piece exploring the past and future of the dingbat. Plus a look at the potential of paper electronics and printed apps, how a new generation of documentary filmmakers is making use of the web, current logo trends, a review of MoMA New York's group show on art and type, thoughts on how design may help save Greece and much more. Also, in Monograph this month we showcase a host of rejected design work put together by two Kingston students.
Please note, CR is no longer stocked in WH Smith high street stores (although it can still be found in WH Smith travel branches at stations and airports). If you cannot find a copy of CR in your town, your independent newsagent can order it for you or you can search for your nearest stockist here. Alternatively, email Laura McQueen (email@example.com) or call her on 020 7970 4878 to buy a copy direct from us. Based outside the UK? Simply call +44(0)207 292 3703 to find your nearest stockist. Better yet, subscribe to CR for a year here and save yourself almost 30% on the printed magazine.
This was so brilliant last night! BTW, Helen's brief was "I've got a strong urge to see wallpaper coming to life in a dolls house" tweeted by, errrmm, me. She, like all the HF illustrators, had done a fantastic job, all housed in such a great space too.
Nice.. cool neon!
|Harvey Nichols' new website (2)|
|Designing for The Grand Budapest Hotel (22)|
|Wally Olins, a tribute (13)|
|Typography is a practice (1)|
|Aesop's identity for Toastits toasties (16)|
|Designing for The Grand Budapest Hotel|
|Why designers never retire|
|Ryman Eco: Grey London and Ryman launch 'sustainable' free font|
|The neue Comic Sans|
|How to paint BUS STOP on a road|