Seb Lester's Arse, and other new works
Your eyes do not deceive you, the word 'arse' really has been hand carved in a block of Welsh slate. This is, in fact, one of a series of three new stone artworks unveiled by typographer and designer Seb Lester on his website today...
"I have decided there are two kinds of art I like, really clever art and really stupid art," says Lester by way of explanation of the above artwork, entiled Slate 2 which measures 25cm across. "Slate 2 is the latter," he continues. "I may be wrong but I don't think anyone in history has ever been stupid enough to design a set of monumental Roman capital letters and then commission a dignified and highly skilled craftsman to carve rude words into the finest Welsh slate using them."
Slate 1, meanwhile, features the word 'bollocks' and measures 50cm across. Slate 3 sees the F-word engraved in similar fashion. Each of the three pieces are one-offs and prices range from £700 to £1500.
The stone artworks aren't all that Lester's been working on. He's also been busy working on his calligraphy (spreads from his sketchbook, above and below) and has released two new signed and editioned prints showcasing his penmanship.
The first, The Voice of all the Gods (below) is screenprinted in Metallic Gold ink on black 594 x 420mm Plike 330gsm art paper in an edition of 100, priced at £75 a pop:
Here are some detail shots of one of the prints:
The second new print now available from Lester's online shop at seblester.bigcartel.com is called Do Not Go Gentle (£80) and features a Dylan Thomas poem foilblocked in gold on 594 x 420mm Midnight Blue Plike 140gsm stock in an edition of 200:
Lester has also just posted this short film in which he talks about his work and further showcases his skills with a pen:
See more of Lester's work at seblester.co.uk.
CR for the iPad
Read in-depth features and analysis plus exclusive iPad-only content in the Creative Review iPad App. Longer, more in-depth features than we run on the blog, portfolios of great, full-screen images and hi-res video. If the blog is about news, comment and debate, the iPad is about inspiration, viewing and reading. As well as providing exclusive, iPad-only content, the app will also update with new content throughout each month. Try a free sample issue here.
CR In print
In our November issue we look at ad agency Wieden + Kennedy in a major feature as it celebrates its 30th anniversary; examine the practice of and a new monograph on M/M (Paris); investigate GOV.UK, the first major project from the Government Digital Service; explore why Kraftwerk appeals so much to designers; and ponder the future of Instagram. Rick Poynor reviews the Phaidon Archive of Graphic Design; Jeremy Leslie takes in a new exhibition at the Whitechapel Gallery dedicated to experimental magazine, Aspen; Mark Sinclair explores Birmingham's Ikon Gallery show of work by the late graphic designer, Tony Arefin; while Daniel Benneworth-Gray writes about going freelance; and Michael Evamy looks at new telecommunications brand EE's identity. Plus, subscribers also receive Monograph in which Tim Sumner of tohave-and-tohold.co.uk dips into Preston Polytechnic's ephemera archive to pick out a selection of printed paper retail bags from the 70s and 80s.
The issue also doubles up as the Photography Annual 2012 – our showcase of the best images in commercial photography produced over the last year. The work selected is as strong as ever, with photographs by the likes of Tim Flach (whose image of a hairless chimp adorns the front cover of the issue, above); Nadav Kander (whose shot of actor Mark Rylance is our Photography Annual cover); Martin Usborne; Peter Lippmann; Giles Revell and more.
Please note, CR now has a limited presence on the newsstand at WH Smith high street stores (although it can still be found in WH Smith travel branches at train stations and airports). If you cannot find a copy of CR in your town, your WH Smith store or a local independent newsagent can order it for you. You can search for your nearest stockist here. Alternatively, call us on 020 7970 4878 to buy a copy direct from us. Based outside the UK? Simply call +44(0)207 970 4878 to find your nearest stockist. Better yet, subscribe to CR for a year here and save yourself almost 30% on the printed magazine.
Wow the video of his penmanship in action is amazing, as are the finished pieces!
I absolutely love these. Of course it's the childish rude words that I love the most the most. Sorry.
Watching the video gives me Typography envy. Sublime craftsmanship.
Hello Mark, Stuart and Adam, Thanks for the kind words. :-)
Amazing, have just typed 'bollocks' in as a font preview string on a rubbish new font download site and then came face to face with Seb's gorgeous slate interpretation of the word. Must dig out that Pistols album for the hat-trick. Great work Mr Lester.
This is quite wonderful. Rarely has art and mindless abuse been so beautifully aligned
There are very similar "naughty" works with vulgar words carved in stone; we studied them in my contemporary art class.
Great work Seb - reminds us of that mailer that Alison Carmichael sent me a few years ago with the c word beautifully crafted!
|Ad of the Week: Ikea, Wonderful Everyday (8)|
|Made Thought rebrands G.F Smith (7)|
|Pick Me Up 2014 (37)|
|Wally Olins, a tribute (15)|
|Colophon releases Castledown type family (7)|
|Designing for The Grand Budapest Hotel|
|Why designers never retire|
|Ryman Eco: Grey London and Ryman launch 'sustainable' free font|
|Wally Olins, a tribute|
|A hand-painted font for Glasgow|