A love letter to New York
Post Superstorm Sandy, New York City is not looking quite at its best right now. So it's an opportune moment for the release of Gotham City, a book of spectacular photographs by Luca Campigotto which capture the city in all its romantic glory
This is New York as seen through the eyes of a visitor – Campigotto first came when he was 18 and the 60 photographs in the book were taken over the course of a decade. As he admits in the book's endnotes, this is a vision of the city informed by a thousand films (there's an obvious reference to Once Upon A Time In America in the image above), by the paintings of Edward Hopper (seen in the top image especially) and by comic books. It's a romanticised ideal of New York (or should we say Manhattan as that's its focus), far away from the gritty streets of Weegee or Garry Winogrand.
Even when photographing graffiti on the Brooklyn docks, Campigotto's large-format camera lends everything a highly-detailed, lush beauty. This book may well enrage those who already complain of the 'Disneyfication' of Manhattan,but the pictures are breathtakingly beautiful. Whether of a twinkly Manhattan at night, or a Downtown street corner, the city has never looked so drop dead gorgeous.
Gotham City by Luca Campigotto is published by Damiani, distributed through Abrams & Chronicle Books, £35
CR for the iPad
Read in-depth features and analysis plus exclusive iPad-only content in the Creative Review iPad App. Longer, more in-depth features than we run on the blog, portfolios of great, full-screen images and hi-res video. If the blog is about news, comment and debate, the iPad is about inspiration, viewing and reading. As well as providing exclusive, iPad-only content, the app will also update with new content throughout each month. Try a free sample issue here.
CR In print
In our November issue we look at ad agency Wieden + Kennedy in a major feature as it celebrates its 30th anniversary; examine the practice of and a new monograph on M/M (Paris); investigate GOV.UK, the first major project from the Government Digital Service; explore why Kraftwerk appeals so much to designers; and ponder the future of Instagram. Rick Poynor reviews the Phaidon Archive of Graphic Design; Jeremy Leslie takes in a new exhibition at the Whitechapel Gallery dedicated to experimental magazine, Aspen; Mark Sinclair explores Birmingham's Ikon Gallery show of work by the late graphic designer, Tony Arefin; while Daniel Benneworth-Gray writes about going freelance; and Michael Evamy looks at new telecommunications brand EE's identity. Plus, subscribers also receive Monograph in which Tim Sumner of tohave-and-tohold.co.uk dips into Preston Polytechnic's ephemera archive to pick out a selection of printed paper retail bags from the 70s and 80s.
The issue also doubles up as the Photography Annual 2012 – our showcase of the best images in commercial photography produced over the last year. The work selected is as strong as ever, with photographs by the likes of Tim Flach (whose image of a hairless chimp adorns the front cover of the issue, above); Nadav Kander (whose shot of actor Mark Rylance is our Photography Annual cover); Martin Usborne; Peter Lippmann; Giles Revell and more.
Please note, CR now has a limited presence on the newsstand at WH Smith high street stores (although it can still be found in WH Smith travel branches at train stations and airports). If you cannot find a copy of CR in your town, your WH Smith store or a local independent newsagent can order it for you. You can search for your nearest stockist here. Alternatively, call us on 020 7970 4878 to buy a copy direct from us. Based outside the UK? Simply call +44(0)207 970 4878 to find your nearest stockist. Better yet, subscribe to CR for a year here and save yourself almost 30% on the printed magazine.
These photos have a really peaceful atmosphere to them, no wonder it took 10 years to shoot.
Not a piece of litter (or pedestrian?) to be seen; that's what's weird. Not even a cat!
They all seem rather passive to me... sorry to be negative.
This is a gorgeous and loving representation of his vision of the place. Calling it Gotham City in itself demonstrates his idea of it's occasional passivity - it is what makes the images tell such an eloquent story, as if something other-worldly is just about to happen, which is how comic books convey the imminent dynamism of some action heroics about to happen... isn't it?
What a fantastic post! Now I am damn sure Why I love that place! :)
|Shooting the cover|
|Record sleeves of the month|
|Anna Louise Parker on letter carving and engraving Richard III's coffin|
|Gradwatch: Corin Kennington|
|CR September: The Fashion issue|