When billboards rocked
Photographer Robert Landau started documenting the billboards of LA's Sunset Strip in the 1970s, and has published a book collecting together images of some of the most iconic LA billboards of the 70s and 80s.
In his latest publication photographer Robert Landau recalls a time when rock 'n' roll billboards dominated LA's Sunset Strip. Moving from the early 70s and into the late 80s, the book collects together images from some of the greats, including The Beatles, Jimi Hendrix and The Rolling Stones.
Landau emphasises the level of craftsmanship that went into creating such huge billboards, with a team of illustrators, typographers, retouchers and painters - amongst others - responsible for getting the billboards ready for final installation. Outdoor advertising companies often employed artists to hand paint billboards, which were referred to as 'spectaculars'. The book also documents some of the more extravagant creations, including ELO's $50,000 billboard from 1977, which featured a custom-made neon space station.
Rock 'n' Roll Billboards of the Sunset Strip is published by Angel City Press, and can be purchased online here.
The Rolling Stones, 1977, by Robert Landau
Joe Cocker, 1969, by Robert Landau
Smokey Robinson, 1978, by Robert Landau
The Band, 1970, by Robert Landau
The Knack, 1981, by Robert Landau
This Electric Light Orchestra billboard, seen below, included a custom-made Plexiglas and neon space station, which was based on designer John Kosh's logo for the band, and carried a price tag of $50,000.
ELO, 1977, by Robert Landau
Linda Ronstadt, 1978, by Robert Landau
Donna Summer, 1978, by Robert Landau
UFO, 1978, by Robert Landau
10CC, 1977, by Robert Landau
Joni Mitchell, 1971, by Robert Landau
This Beatles billboard, designed by Roland Young, used a cut-out extension of the band's heads, which prompted a bit of thievery from an overeager Paul McCartney fan.
The Beatles, 1969, by Robert Landau
John Lennon, 1971, by Robert Landau
John Lennon, 1971, by Robert Landau
Blue Note Records, 1972, by Robert Landau
Pink Floyd, 1979, by Robert Landau
Pink Floyd, 1979, by Robert Landau
CR for the iPad
Read in-depth features and analysis plus exclusive iPad-only content in the Creative Review iPad App. Longer, more in-depth features than we run on the blog, portfolios of great, full-screen images and hi-res video. If the blog is about news, comment and debate, the iPad is about inspiration, viewing and reading. As well as providing exclusive, iPad-only content, the app will also update with new content throughout each month. Try a free sample issue here.
CR In print
In our November issue we look at ad agency Wieden + Kennedy in a major feature as it celebrates its 30th anniversary; examine the practice of and a new monograph on M/M (Paris); investigate GOV.UK, the first major project from the Government Digital Service; explore why Kraftwerk appeals so much to designers; and ponder the future of Instagram. Rick Poynor reviews the Phaidon Archive of Graphic Design; Jeremy Leslie takes in a new exhibition at the Whitechapel Gallery dedicated to experimental magazine, Aspen; Mark Sinclair explores Birmingham's Ikon Gallery show of work by the late graphic designer, Tony Arefin; while Daniel Benneworth-Gray writes about going freelance; and Michael Evamy looks at new telecommunications brand EE's identity. Plus, subscribers also receive Monograph in which Tim Sumner of tohave-and-tohold.co.uk dips into Preston Polytechnic's ephemera archive to pick out a selection of printed paper retail bags from the 70s and 80s.
The issue also doubles up as the Photography Annual 2012 – our showcase of the best images in commercial photography produced over the last year. The work selected is as strong as ever, with photographs by the likes of Tim Flach (whose image of a hairless chimp adorns the front cover of the issue, above); Nadav Kander (whose shot of actor Mark Rylance is our Photography Annual cover); Martin Usborne; Peter Lippmann; Giles Revell and more.
Please note, CR now has a limited presence on the newsstand at WH Smith high street stores (although it can still be found in WH Smith travel branches at train stations and airports). If you cannot find a copy of CR in your town, your WH Smith store or a local independent newsagent can order it for you. You can search for your nearest stockist here. Alternatively, call us on 020 7970 4878 to buy a copy direct from us. Based outside the UK? Simply call +44(0)207 970 4878 to find your nearest stockist. Better yet, subsc
"Cocker is coming on A&M Records"
Great display! I wish I'd ever lived in a city cool enough to advertise big artists on billboards - all we ever get in Ottawa is ads! Cool showcase.
These are awesome billboards, I remember some of these actually in the flesh! Mind you the best thing now is being able to look back on these wonderful designs and be inspired by them to make the next big thing. In a way building sites at http://www.reynoldsdigital.com is kind of like building the modern billboards. If in years to come someone is referencing my work I'll be very proud indeed.
These are billboards that i would actually look at. John lennon is available so is yoko haha. But In North carolina rarely do I ever see a creatively done billboard.
Hopefully the documenting photographer credits (or attempted to credit) the *designers* (and illustrators and photographers) whose work is or is in these billboard designs!
A note from the author and photographer (Robert Landau): This book pays tribute to all the great designers, photographers , art directors and even the billboard painters who were responsible for this unique art form. I was fortunate to track down and speak with many of them for the book including Kosh (Abbey Road ), Roland Young (A&M Records), Gary Burden, John Van Hamersved, Norman Seeff and others. All of these folks are living in the Los Angeles vicinity.There is also a table in the book that attempts to credit all the artwork that appears in the book.
this would be an awesome meme ...
wow! it reminds me also of the movie XANADU, the movie was crap but the guy worked in a studio where they created this kind of billboards, i found it so interesting at the time!
...but who knocked Paul McCartney's head off?
I miss these types of billboards. Stylish and cool - something that modern billboards seriously lack.
The band stage fright is the best one, really cool design.
Awesome. Would love to see them brought back. I wonder how much one of the originals here in mint condition would fetch for now.
love the way they use the format of the billboard but always bleed over the edges to make the image/logo stand out
simply ideas - rock
These look amazing! don't do them like this no more.
Very Creative Sign !!!
These are great!
Pity the ones around me are rubbish.
Bring great signs to Walthamstow :-)
|A6 Notebook (1)|
|Luxury and Sustainability (2)|
|New typeface makes its Mark (3)|
|Cannes Lions 2015: The winners and some reflections (3)|
|Because the internet: MTV launches GIF and meme-inspired visual identity (13)|