Virgin Media Shorts Lucky 13 poster winner
Mia Frances Kennedy, a student at Central St Martins, has won the Virgin Media Shorts competition to design a poster for PJ, Tiny Planet Explorer, the Lucky 13th film nudged into this year's VMS shortlist by social media votes
For the 2012 Virgin Media Shorts contest for up-and-coming filmmakers, Creative Review commissioned illustrators from the Handsome Frank agency to create a poster for each of the 12 shortlisted films. In addition, VMS also ran an open contest to design a poster for the extra Lucky 13 film – the entry which was added to the original shortlist by dint of attracting the most social media votes. Here's the winning film:
Virgin Media creative director Adrian Spooner chose Mia Frances's design (shown top): "In my view, Mia’s fresh graphical work nailed the vibe of PJ’s film," he says. "A huge thank you to everyone who entered". Mia wins an iPad and her poster will be displayed at Picturehouse cinemas around the UK alongside the 12 commissioned by CR.
Since 2008, Virgin Media Shorts has been giving up-and-coming filmmakers a platform to show their work not just to leading figures in the industry but also to the general public. Each year, filmmakers are invited to upload two minute 20 second short films to the VMS website. Shortlisted films are shown across the Picturehouse network and other independent cinemas around the UK for a year.
In addition the films are also shown on Virgin Media's on-demand service and its Shorts TiVo and iPhone apps.
This year's panel of judges, including actor Julie Walters and director Phyllida Law, will choose one overall winner who will receive £30,000 to make their next film plus mentoring from the British Film Institute. The winner will be announced at an awards night at the BFI Southbank in London on November 8.
Handsome Frank's illustrators have given each of the shortlisted films its very own poster.
Alexandra Bruel’s poster is for A Brush With A Bee, directed by Joachim Malan and Katie Parnell, an animated film in which a struggling painter does battle with a bee to protect his final masterpiece from the insect’s tiny hands.
The poster for Little Larry, directed by Andrew Lee Potts, was created by Andrew Joyce. The film relates the tale of a mid-20s, professional, single man who still feels like a child inside.
Jennifer Sheridan’s Rocket features a small dog with big dreams – like building a spaceship in its front room. Poster by Helen Musselwhite in her trademark cut-paper style.
Andrew Joyce illustrated the poster for Super Fast Samosa, the story of the gingerbread man reimagined Bollywood style by director Sundeep Toor.
Dan Castella’s Mourning Rules features June, a professional mourner, who attempts to teach her sister Izzy the tricks of the trade. Andrew Lyons created the accompanying poster
In Man Up, directed by Carolina Giammetta, three men sneak off to the pub to discuss their ploys for ‘handling’ women. Emma Kelly designed the poster.
In Amanda Boyle’s film, Skirt, a modern day Odd Couple first annoy, then charm each other in a tale of opposites, with a poster illustrated by Jeffrey Bowman.
Jonathan Burton designed the poster for The Best Medicine, directed by Dan Smith. A sinister chemist helps a girl deal with her annoying laugh. Or not.
Not with a bang but a whimper, Thomas Guerrier’s The Plotters tells the tale of the Gunpowder Plot as might have been. Matt Murphy illustrated the poster.
Sarah Maycock created the poster for Without Saying, directed by Paul Dingwall, in her trademark watercolour style. The film is a touching tale of a boy struggling to express his love.
Alice Seabright’s Dream Girl features an unexpected encounter on an early morning journey on the Paris Metro. Poster by Stephen Cheetham.
Sprockett, directed by Hazel Meeks, tells the story of a group of kids who dare one of them to go inside the workshop of Old Man Sprockett. Design: Tim McDonagh.
CR for the iPad
Read in-depth features and analysis plus exclusive iPad-only content in the Creative Review iPad App. Longer, more in-depth features than we run on the blog, portfolios of great, full-screen images and hi-res video. If the blog is about news, comment and debate, the iPad is about inspiration, viewing and reading. As well as providing exclusive, iPad-only content, the app will also update with new content throughout each month. Try a free sample issue here
CR in Print
In our October print issue we have a major feature on the rise of Riso printing, celebrate the art of signwriting, examine the credentials of 'Goodvertising' and look back at the birth of D&AD. Rebecca Lynch reviews the Book of Books, a survey of 500 years of book design, Jeremy Leslie explains how the daily London 2012 magazine delivered all the news and stories of the Games and Michael Evamy explores website emblemetric.com, offering "data-driven insights into logo design". In addition to the issue this month, subscribers will receive a special 36-page supplement sponsored by Tag celebrating D&AD's 50th with details of all those honoured with Lifetime Achievement awards plus pieces on this year's Black Pencil and President's Award-winners Derek Birdsall and Dan Wieden. And subscribers also receive Monograph which this month features Rian Hughes' photographs of the unique lettering and illustration styles of British fairgrounds
Please note, CR now has a limited presence on the newsstand at WH Smith high street stores (although it can still be found in WH Smith travel branches at train stations and airports). If you cannot find a copy of CR in your town, your WH Smith store or a local independent newsagent can order it for you. You can search for your nearest stockist here. Alternatively, call us on 020 7970 4878 to buy a copy direct from us. Based outside the UK? Simply call +44(0)207 970 4878 to find your nearest stockist. Better yet, subscribe to CR for a year here and save yourself almost 30% on the printed magazine.
|Sagmeister & Walsh and the robbery that never was|
|How Fredrik Bond achieved an 'epic strut' for Moneysupermarket.com|
|See the other side to homelessness|
|Keeping the Anzac memory alive|
|The making of the CR Annual cover|