Typo London returns
APFEL's Kirsty Carter and Emma Thomas will speak at Typo London this year. Photo: Carol Sachs
Last year, the Typo conference series, which originated in Berlin, brought its mixture of high-profile speaker sessions and workshops to London for the first time. On October 19 and 20, Typo London returns to the city.
Once again, a great line-up is promised, mixing established international and UK-based practitioners with a smattering of new(ish) faces. APFEL, Ken Garland, Vaughan Oliver, Anthony Burrill, Wallpaper* editor Tony Chambers, Joshua Davis, Sara De Bondt, Erik Kessels of Kessels Kramer, Kate Moross and Lucienne Roberts are all among a stellar line-up, who will discuss their work in the context of this year's theme, which is ‘Social'.
Explaining the topic, head of programme Adrian Shaughnessy says: "What I like about the idea of having ‘social' as our theme is that there are so many ways of being social - both as a designer and as a human being. It is thinking about the social implications of our work as designers. It is sharing professional experiences at an event like Typo London. I also hope people will use the two days to look at what they are doing as practitioners or as students. It is no longer possible to be a designer without considering the social implications of what we do - environmentally, ethically and culturally. I hope the speakers and the audience explore these ideas and themes, but also that everyone has a chance to meet people and they've never met before and forge lasting relationships."
After last year's event, which was organised by Robin Richmond, Georgia Fendley and Tim Fendley. There was some crticism of prices. This year's event is shorter and cheaper at £425 for the two days. Full details here
The original Typo London organisers, in the meantime, have launched a new, independent event to take place next May, details of which we will post shortly.
CR for the iPad
Read in-depth features and analysis plus exclusive iPad-only content in the Creative Review iPad App. Longer, more in-depth features than we run on the blog, portfolios of great, full-screen images and hi-res video. If the blog is about news, comment and debate, the iPad is about inspiration, viewing and reading. As well as providing exclusive, iPad-only content, the app will also update with new content throughout each month. Try a free sample issue here
CR in Print
Students, grads, young professionals: if you buy one issue of CR this year, make sure it's this one. The September print issue of CR is our annual graduates special. In it, we have teamed four recent graduates with professional practitioners in their chosen field who offer invaluable advice on how to get started in their profession. APFEL meet graphics graduate Arthur Carey, BETC London ECD Neil Dawson meets Sophia Ray, illustrator Matthew 'The Horse' Hodson offers sage advice to Sam Tomlins and photographer Jenny van Sommers meets Megan Helyer. In addition, our September issue also features Google Creative Lab, Unit Editions' new book on Herb Lubalin, Michael Evamy on place branding, Jeremy Leslie on new bilingual magzine Figure and Gordon Comstock on the importance of failure.
Please note, CR now has a limited presence on the newsstand at WH Smith high street stores (although it can still be found in WH Smith travel branches at train stations and airports). If you cannot find a copy of CR in your town, your WH Smith store or a local independent newsagent can order it for you. You can search for your nearest stockist here. Alternatively, call us on 020 7970 4878 to buy a copy direct from us. Based outside the UK? Simply call +44(0)207 970 4878 to find your nearest stockist. Better yet, subscribe to CR for a year here and save yourself almost 30% on the printed magazine.
Who actually sits like that at work?
thats how hot chicks chat in the studio, can never get them to use a chair!
how do they decide who gets to sit in the chair?
|Robert Wilson's Helmand photographs brought to UK streets (8)|
|The Art of Smallfilms (10)|
|Hans Eijkelboom's People of the 21st Century (2)|
|Wildlife Photographer of the Year 2014 (4)|
|Why children's charities need a rebrand (2)|