Copyright done right
Louise Fili’s copyright page for The Tea Council’s Guide to the Best Tea Places in England, published by The Little Bookroom, 2002
Setting the mandatory page of copyright text is one of the more mundane tasks faced by a book designer – unless you are Louise Fili
CR is at the Design Indaba conference this week where we will be posting some highlights from the talks. This morning's session featured Louise Fili, a designer who, despite being one of the New York's finest, is probably not as well-known in the UK as she should be.
One of the great traits of designers is to question why something has to be the way it is. Among the projects Fili showed was her first attempt to do something more interesting with the copyright text which publishers are obliged to include in the introductory pages of books and which most are loathe to do anything remotely attractive with. She showed a page from a book on gardening where she had transformed the legalese into the shape of a tree. A battle with the publisher ensued bu Fili finally got her way and has made such typographic styling something of a trademark.
Copyright page for BloshBlobBerBosh: Runcible Poems for Edward Lear, Creative Editions, 1998
There are more example in Elegantissima, the 2012 book on Fili's work,
And, of course, the copyright text to the book has its own treatment - a reference to the fact that the bulk of Fili's work is for restaurants and food packaging
See more of Louise Fili's work here
CR in print
The March issue of CR magazine celebrates 150 years of the London Underground. In it we introduce a new book by Mark Ovenden, which is the first study of all aspects of the tube's design evolution; we ask Harry Beck authority, Ken Garland, what he makes of a new tube map concept by Mark Noad; we investigate the enduring appeal of Edward Johnston's eponymous typeface; Michael Evamy reports on the design story of world-famous roundel; we look at the London Transport Museum's new exhibition of 150 key posters from its archive; we explore the rich history of platform art, and also the Underground's communications and advertising, past and present. Plus, we talk to London Transport Museum's head of trading about TfL's approach to brand licensing and merchandising. In Crit, Rick Poynor reviews Branding Terror, a book about terrorist logos, while Paul Belford looks at how a 1980 ad managed to do away with everything bar a product demo. Finally, Daniel Benneworth-Grey reflects on the merits on working home alone. Buy your copy here.
Please note, CR now has a limited presence on the newsstand at WH Smith high street stores (although it can still be found in WH Smith travel branches at train stations and airports). If you cannot find a copy of CR in your town, your WH Smith store or a local independent newsagent can order it for you. You can search for your nearest stockist here. Alternatively, call us on 020 7970 4878, or buy a copy direct from us. Based outside the UK? Simply call +44(0)207 970 4878 to find your nearest stockist. Better yet, subscribe to CR for a year here and save yourself almost 30% on the printed magazine.
CR for the iPad
Read in-depth features and analysis plus exclusive iPad-only content in the Creative Review iPad App. Longer, more in-depth features than we run on the blog, portfolios of great, full-screen images and hi-res video. If the blog is about news, comment and debate, the iPad is about inspiration, viewing and reading. As well as providing exclusive, iPad-only content, the app will also update with new content throughout each month.
Thats what copywriters and typesetters are for, not book designers... Theres a difference
Ahhh its a little fun, thats cool. Different markets different rules to aesthetics ( :
|If illustrators designed football shirts...|
|What makes a great image? CR's Photo Annual judge Gemma Fletcher shares her favourite work|
|What would a UK flag look like without Scotland?|
|Warp releases Syro artwork by The Designers Republic|