A sheet of 12 stickers (just like the one shown above) that celebrate the documentary film The Ballad of AJ Weberman, is included in each copy of Creative Review this month. Happy stickering!

When filmmakers Oliver Ralfe and James Bluemel discovered a 1960s recording of a phone conversation between self-professed Dylanologist AJ Weberman and Bob Dylan, it peaked their curiosity…

To say that design studio Bibliothèque are avid collectors of graphic design would be something of an understatement. It’s more like they have an addiction to sourcing print classics, particularly from the European Modernist tradition. But they’ve finally managed to find an outlet for one of their favourite collections; Otl Aicher’s work for the 1972 Munich Olympics, in the form of an exhibiton of some of his best work from the project, and the show, 72, has just launched at London design store Vitsœ.

We met up with Bibliothèque, Mark Adams, owner of Vitsœ, and designer Michael Burke who actually worked on the Olympic project with Aicher and had invaluable first-hand experience of the processes and methods involved in creating this seminal body of work. The following is the full transcript of the discussion that took place at Bibliothèque’s studio. (An edited version appears in our current March issue as part of a four-page feature on Aicher’s legacy and the 72 exhibition).

It’s high time that we shared some of the music video brilliance that has been sent into Creative Review towers over the last couple of weeks. First up is some lovely animation by Louis-Philippe Eno for The Hidden Cameras‘ Death of a Tune.

Dave Cooper’s take on an otherwise fairly innocuous paint-by-numbers picture

The Corey Helford Gallery in Culver City, California has been showing a range of bastardised paint-by-numbers artworks for its latest exhibition, Charity by Numbers. Each painting has been completed in its requisite palette of mundane colours – there are nautical scenes here, depictions of riverside cabins, animals and forests there – and then a range of contemporary underground artists (including Boris Hoppek, Ian Stevenson and Dave Cooper, above) have added their own daubings onto the canvases.

Photographers Adam Broomberg and Oliver Chanarin’s new collection of work examines some of the myths surrounding contemporary Israel where, quite often, things aren’t really as they first appear. A series of mundane objects – a melon, a beer can, a rock, for example – in fact turn out to be bombs or, rather, re-creations of bombs made by the Israeli Police Force’s Bomb Disposal Unit (based on the designs used in actual attacks) and now housed in their informal museum in Jerusalem which reveals when and where they were used and how many people were injured or killed.

Former Creative Future winner Zak Kyes created this series of posters in collaboration with Wayne Daly to accompany artist Ryan Gander’s talk at the Architectural Association in London last week. In keeping with Gander’s work, which focuses on language, ideas and communication, the poster itself became an artistic collaboration between the artist and Kyes. A conversation between the two about the nature of poster design forms the text that runs down the right hand side of the poster, while Kyes commissioned nine illustrators to draw a portrait of Gander at the artist’s request, because, as he explains, “I have never been drawn, and often watch those guys outside the Pompidou drawing people but am always too reserved to get one done.” Gander’s favourite of the nine renditions is by Ed Fella, shown above.