The battle for District 8 in Saigon in May 1968 produced many civilian casualties. This woman hit by helicopter rocket fire was helped by a nervous South Vietnamese soldier.

Veteran Magnum photographer Philip Jones Griffiths gave a talk earlier this week at the Royal Geographical Society in London, where he discussed his photographic experiences in Vietnam and a body of work that spans over 40 years.

This the first page of the April issue of Creative Review. This month, the magazine has no cover. Instead, the biodegradable bag that the magazine is sent out in also fulfils that role, thus saving 8700 sheets of paper

April’s Creative Review is a special issue devoted to sustainability. For it, we asked Sarah Rich, editor of worldchanging.com, to explain how our readers can help genuinely green businesses to thrive.

Conscious consumers in the modern marketplace rarely face an either/or proposition. Gone are the days of choosing between pleasure and principle. Gone is the sacrifice of flavour, colour and style in the name of environmental responsibility. With the likely exception of toilet paper (which it seems still cannot be made both recycled and soft), many of our everyday items can now be found in a luxurious shade of green. Savvy advocates of sustainability know that business is not the enemy of the good…

Jonathan Ellery at his debut London show

The subtle alchemy of the editing process will be familiar to most designers and art directors. Browns’ Jonathan Ellery has translated his own fascination with it into three personal projects, all of which are brought together at his debut London gallery show, Unrest, which opened at The Wapping Project earler this month and was featured in last month’s issue of Creative Review.

Ever wanted to ask the guys at design studio Non-Format about their work, their clients or what they get up to when they’re not creating some of the best graphic design around? Well, now’s your chance. We’re running a piece on the London-based duo in the May issue of CR. Send us a question: we’ll put the best ones to Kjell and Jon on your behalf and print their replies in the issue.

Post your questions as a comment on this thread or email them to mark.sinclair@centaur.co.uk.

The door of 7 Meard St, London W1

Regular readers will remember that we gave away a sticker made by Peter Saville in our February issue. The sticker was inspired by a sign that Saville had spotted on a door in London’s Soho.

Yesterday, we had a call from the owner of that door, artist and latter-day dandy of some notoriety, Sebastian Horsley…

Illustrated CD pack for Efterklang’s Under Giant Trees album by Nan Na Hvass

As mentioned last week, we’ve been sent a raft of stunning record sleeves and CD packs so far this year. Here is this week’s selection…