Dublin’s OFFSET festival will return to the Irish capital’s Bord Gáis Energy Theatre for three days in April (5-7) with an impressive line-up of international speakers that include Ben Bos, Bob Gill, Ciarán Ógaora, Craig & Karl, Hvass & Hannibal, Kate Moross, Marina Willer, Oliviero Toscani, Sarah Illenberger and Vaughan Oliver…
As with the last two OFFSET events (which CR’s Gavin Lucas has reported back from), the conference will feature two simultaneous schedules of events: lectures in the main theatre, with a second room of interviews and panel discussions. Here’s the list of speakers announced so far, along with some visual cues:
Dutch graphic designer and author Ben Bos
UK-based illustrator Ben Newman
Designer, illustrator, author, and one of D&AD’s founders Bob Gill will be at OFFSET 2013
Maine-based illustrator Calef Brown
Chris Silas Neal from Brooklyn, New York is also one of the main speakers
Ciarán Ógaora of Dublin-based design studio Zero-G
Australia and UK based design and illustration duo Craig & Karl
London-based live and digital agency Drive Productions
Irish director, animator and filmmaker Eoghan Kidney
Gavin O’Sullivan, Creative Director at Dublin ad agency DDFH&B
Hvass & Hannibal from Copenhagen
Korean designer and image maker Ji Lee
Belfast-based illustrator Jonathan McHugh
French street art photographer JR
Kate Moross from London
New York-based Louise Fili was formerly senior designer for Herb Lubalin and art director of Pantheon Books from 1978-1989. Now she runs her own studio that specialies in beautiful design work, with a specialism in restaurant and food packaging
Pentagram partner Marina Willer
Childrens book author and illustrator Niamh Sharkey
And British designer Vaughan Oliver is also confirmed.
Tickets are available now at www.ticketmaster.ie or in person from the Bord Gáis Energy Theatre box office.
Early bird tickets (up to March 2013) are €165.
Student tickets are €120.
Standard tickets are €195.
All have types of ticket are subject to a group rate of six tickets for the price of five.
For more info about OFFSET2013, visit iloveoffset.com.
To keep up to date with all the latest OFFSET news, follow @weloveoffset on Twitter.
CR In print
In our December issue we look at why carpets are the latest medium of choice for designers and illustrators. Plus, Does it matter if design projects are presented using fake images created using LiveSurface and the like? Mark Sinclair looks in to the issue of mocking-up. We have an extract from Craig Ward’s upcoming book Popular Lies About Graphic Design and ask why advertising has been so poor at preserving its past. Illustrators’ agents share their tips for getting seen and we interview maverick director Tony Kaye by means of his unique way with email. In Crit, Guardian economics leader writer Aditya Chakrabortty review’s Kalle Lasn’s Meme Wars and Gordon Comstock pities brands’ long-suffering social media managers. In a new column on art direction, Paul Belford deconstructs a Levi’s ad that was so wrong it was very right, plus, in his brand identity column, Michael Evamy looks at the work of Barcelona-based Mario Eskenazi. And Daniel Benneworth-Gray tackles every freelancer’s dilemma – getting work.
Our Monograph this month, for subscribers only, features the EnsaïmadART project in which Astrid Stavro and Pablo Martin invited designers from around the world to create stickers to go on the packaging of special edition packaging for Majorca’s distinctive pastry, the ensaïmada, with all profits going to a charity on the island (full story here)
Please note, CR now has a limited presence on the newsstand at WH Smith high street stores (although it can still be found in WH Smith travel branches at train stations and airports). If you cannot find a copy of CR in your town, your WH Smith store or a local independent newsagent can order it for you. You can search for your nearest stockist here. Alternatively, call us on 020 7970 4878 to buy a copy direct from us. Based outside the UK? Simply call +44(0)207 970 4878 to find your nearest stockist. Better yet, subscribe to CR for a year here and save yourself almost 30% on the printed magazine.
CR for the iPad
Read in-depth features and analysis plus exclusive iPad-only content in the Creative Review iPad App. Longer, more in-depth features than we run on the blog, portfolios of great, full-screen images and hi-res video. If the blog is about news, comment and debate, the iPad is about inspiration, viewing and reading. As well as providing exclusive, iPad-only content, the app will also update with new content throughout each month. Try a free sample issue here