Brecht Evens’ new comic book introduces Panther, a charming feline who comes to the aid of a young girl. But all is not as it first seems in this unsettling but wonderful graphic novel about growing up.
The Glasgow-based studio worked with Vintage on its new series of nature titles – the results see the wallpaper designers’ keen eye for detail flourishing on the printed page.
Craig Oldham’s In Loving Memory of Work: A Visual Record of the Miners’ Strike 1984-85 has been published in a second edition, complete with a range of new material. Here, Oldham selects some of the most interesting additions, including ex-miner Phil Winnard’s powerful photographs of the strikes.
Each year, our Annual judges select projects of special merit for our Annual’s Best in Book section. Here are this year’s Best in Books in Design
The 2016 Creative Review Annual, in association with Arjowiggins Creative Papers, launched on Thursday with a fabulous party at House of Vans in London
The superbly-realised Alan Kitching exhibition at Pick Me Up is a major draw for the festival and a seriously good selection of examples from the artist and designer’s six decades of work in letterpress. It’s also set to go to Suffolk and Glasgow later in the year
The annual graphic arts festival opens in London today and there’s plenty to see from emerging artists’ work to a major exhibition of Alan Kitching’s letterpress prints. Here are ten things you simply shouldn’t miss
On paper, successful creative director, artist and photographer Erik Kessels doesn’t seem like much of a failure. Yet, as his new book reveals, failing is a healthy part of the creative process – while imperfection can be a fascinating artistic sphere in which to work.
Intrigued by the great work on display at the Polish Book Institute’s stand at the London Book Fair, art director James Jones began tweeting some of his favourite covers. We asked him to collect together some of his highlights to share on CR.
Gray’s Anatomy is one of the most influential illustrated books in the world. In print since 1858 it has gone through 41 editions, evolving alongside our knowledge of the human body. While artist Henry Vandyke Carter’s role in its conception has been eclipsed by his more celebrated co-author, it is his pioneering work that shapes how the book exists today.