Art Director Gem Fletcher examines the work of Photographer Felicity McCabe, in the latest instalment of a series looking into talent in photography, from recent graduates to photographers breaking the rules…
Craig Oldham’s In Loving Memory of Work: A Visual Record of the Miners’ Strike 1984-85 has been published in a second edition, complete with a range of new material. Here, Oldham selects some of the most interesting additions, including ex-miner Phil Winnard’s powerful photographs of the strikes.
From a harrowing look at the effects of acid attacks to images documenting the refugee crisis, we take a look at some of the winning and shortlisted series from this year’s Sony World Photography Awards
In an ambitious take on repackaging an artist’s back catalogue, Phil Collins recreated the covers of each of his solo albums for a new series of reissues with help from photographer Patrick Balls and digital imaging specialist Martin Griffin. Here’s how they did it
The role of the cinema projectionist is one of great importance though often little recognition. In a new series of photographs, Richard Nicholson captures those performing the job today, as the industry transitions from film to digital.
On paper, successful creative director, artist and photographer Erik Kessels doesn’t seem like much of a failure. Yet, as his new book reveals, failing is a healthy part of the creative process – while imperfection can be a fascinating artistic sphere in which to work.
Design studio North’s website for Arjowiggins aims to replicate the experience of looking through a paper samples book online. We spoke to North’s Sean Perkins about designing the site and collaborating with photographer Dan Tobin Smith to capture the company’s paper in motion…
PJ Harvey’s new album features art direction from long-term collaborator, Michelle Henning. In an exclusive interview, the artist and designer tells us how she looked to heraldry to make the visuals for the record, experimenting with drum-painting and cyanotype along the way – and discusses her previous work for Harvey’s Let England Shake release.
Art Director Gem Fletcher examines the work of Photographer Agnes Lloyd-Platt, in the latest instalment of a series looking into new talent in photography, from recent graduates to photographers breaking into the industry…
Browns has created a new identity for major law firm Rosling King. We talk to the studio’s founder Jonathan Ellery about designing for the legal sector and the creative process involved in the project