Trends of 2022: The year in photography
As the world struggles with grim realities, from climate change to war, to a cost of living crisis, photographers are finding new ways to articulate today’s many challenges
As the world struggles with grim realities, from climate change to war, to a cost of living crisis, photographers are finding new ways to articulate today’s many challenges
A new exhibition at the Los Angeles County Museum of Art examines the ever blurring lines between advertising and art photography, and how the two worlds have influenced each other
Sci-fi is a dominant feature of the London exhibition scene at the moment, appearing in shows from the Hayward to the Barbican, Somerset House Studios to the Serpentine Galleries. Why does this genre speak to us so much right now?
Paris is going through a period of rapid change and expansion. We talk to the photographers who are documenting this shift, who aim to show a vision of the city that reaches beyond its romanticised image
In 2021, we saw the photography industry attempt to adjust to a changing world, with the cautious reopening of exhibitions for the first time since the pandemic, and the continuing embrace of new voices. Here, Diane Smyth looks back on a complex year
In the past, sport ads and photography were largely focused on men and competitiveness. But recent campaigns and projects have seen a more nuanced way of approaching the subject emerge, with space for women to shine too (with sweat)
In 2020, people turned to photography for support, inspiration and sustenance, as well as to document their experiences of the pandemic and of the many protests that took place. Here, Diane Smyth looks back on a year that will be impossible to forget
Sue Davies, the founder of the Photographers’ Gallery in London, passed away last month. Here, Diane Smyth looks back at her life and the way the gallery has changed the way the UK thinks about the medium
A new exhibition at the Barbican Art Gallery in London examines how our view of masculinity has evolved over the decades. Writer Diane Smyth talks to its curator, Alona Pardo, for CR
The world of photography in 2019 was marked by movements of change and activism, and expansive dissections of contemporary politics and the status quo. We also saw exciting experimentation in both images and exhibitions. Here, Diane Smyth looks back at the year
Mitsuhiro Arita first began illustrating for Pokémon over two decades ago. He talks to Diane Smyth about his part in helping to create the look and feel of the Pokémon world and why the company still favours a hand-drawn aesthetic
Clients are increasingly recognising that unusual, well-crafted and even ‘weird’ imagery is what stands out in advertising campaigns. And that that is worth paying for, both in time and money