Where art meets sustainability and politics
The series Dead White Man by Jeremy Hutchison, currently on show as part of the British Textile Biennial in Blackburn, aims to address our over-consumption of fashion and how it is affecting Africa
The series Dead White Man by Jeremy Hutchison, currently on show as part of the British Textile Biennial in Blackburn, aims to address our over-consumption of fashion and how it is affecting Africa
A master of reinvention, the Barbie brand is about to embark on its biggest journey yet, via Greta Gerwig’s much anticipated movie. We examine why the brand has managed to always stay in fashion
Brand purpose has dominated advertising for the past decade, winning awards for serious, high-minded ideas, with humour nowhere in sight. But is bizarre, wacky advertising finally making a comeback?
We talk to the team behind Lexend, a typeface that is making reading easier for those with dyslexia, and explore whether all fonts should be designed with accessibility in mind
Covid-19 and inequalities in the industry such as pay disparity are hugely influencing women’s experiences in design, according to a new report from Women’s Design and Research Unit, which also offers some advice to create change
Joe Lycett has already perfected the art of trolling politicians and over-zealous brands, and is now gifting the world a coffee-table book about bins. He talks to CR about using art and comedy as rebellion and why comedians should care more about fonts
The photographer Catherine Hyland has documented the work at Fine Art Foundry in London, where artworks for the likes of Tracey Emin, Marc Quinn, and Anish Kapoor are created
Accumulate’s mission to help support those affected by homelessness into the creative industries continues with new project Creative Futures
The design and advertising industry has a plethora of award schemes. Here we examine what part they play in the industry and in the success of creative businesses
Brand collaborations can lead to fun, limited edition projects and fresh perspectives. But what makes (or breaks) a good collab?
The designers at the Royal Mint have recently made special edition coins to celebrate everything from the Platinum Jubilee to Pride to the 100th anniversary of the discovery of insulin. Hazel Davis talks to them about how they are made
While much talked about, creative and exciting uses of personalisation by brands are still fairly limited. Here we look at what technology might allow in the future