Come in, we’re Open
OPEN studio is more than just a space in which young designers and illustrators work. It’s a hub of critique, support and collaborative thinking
Chelsea FC launches new visual identity and home kit campaign
Made in partnership with Uncommon Creative Studio, the launch unveils a new brand narrative – We Burn Blue – via an arresting visual campaign
Brian Eno, different every time
Gary Hustwit’s new documentary film about the prolific producer, artist and thinker is programmed to generate alternative versions each time it’s shown. The director explains why this approach is the only reason Eno agreed to take part, and the possibilities of this technology for filmmakers
Why we need to reduce the ‘noise’ in design
Principal’s Bryan-K Lamonde discusses the art of designing ‘less’ and how he’s implemented that approach across the studio’s projects
What does sport’s shifting geopolitics mean for brands?
As the East ploughs billions into everything from golf tours to football leagues, we examine how brands in the West are grappling with a global sports industry in flux
Political punchlines: how this year’s general election ads measure up
With the public going to the polls on Thursday to vote in the UK’s first general election since 2019, we examine how the campaign messaging has played out
Why brand unity is critical in times of upheaval
In this year of elections, we can expect seismic business changes, mergers and acquisitions. Brand expression is essential during these shifts, and the role of the chief designer officer should not be overlooked, says Wolff Olins’ Wayne Deakin
D&AD launches platform to demystify industry jargon
The free tool, devised by FCB London creative team Amy Bland and Sacha Burke, allows people to learn from and contribute to an ad industry dictionary
Why AI is the kick up the arse copywriters need
If ChatGPT and co are coming for our jobs, creativity is the only thing that will protect us, says Reed Words creative director Orlaith Wood
The Monthly Interview: Kathy Ryan
After almost four decades at the New York Times Magazine, Kathy Ryan recently stepped down from her role as director of photography. But as CR discovers, she’s far from ready for retirement
Annual Awards 2024
Dive into our showcase of the best advertising, design, craft and effectiveness of the past year