In 2014, the Victoria & Albert Museum surprised everyone when it launched its Rapid Response Collecting gallery – which debuted with a pair of Primark trousers, carbon fibre lift cables, and a stuffed toy wolf from Ikea, amongst others. It’s a far cry from the institution’s collection of furniture, fine fabrics and sculptural fragments, and certainly raised eyebrows at the time.
Since then Corinna Gardner, Senior Curator Design, Architecture and Digital, has seen the collection expand to around 30 objects, including everything from a failed Kickstarter drone project, to the more recently acquired WhatsApp and mosquito emoji. Here she discusses why Rapid Response Collecting isn’t such a radical departure from the V&A’s origins, and shares some of the internal debates about what belongs in its collection, and what doesn’t.
Join our community
This article is available only to subscribers. You can join here.
If your email address is registered we will send you an email to recover your password.
+44 (0)2072923703 or firstname.lastname@example.org