Cryptocurrency is set to be the next big tech trend of our generation. We speak to Pentagram Partner Jon Marshall, who recently helped bring kids’ crypto piggy bank Pigzbe to life, about the role design is playing in bringing the technology to the masses
Design studio Lovers has given the North London institution a modern facelift based on its rich cultural history, introducing a distinctive custom font and a brighter colour palette
Created by Mother, the poster-led campaign features handwritten messages by men who have previously gone to Samaritans for support, and coincides with the launch of the charity’s new brand identity
More than 100 propaganda posters created by the late graphic designer during the Second World War are showcased in a new book authored his daughter, Naomi Games, and a coinciding exhibition at the National Army Museum
While we all need to earn a living, younger people are increasingly motivated by more than just their paypacket. How are creative companies responding to the challenge of offering meaningful benefits to their younger team members?
The BBH London led campaign film pits the Audi A1 up against the weightier A7 model, as the two cars perform a perfectly synchronised routine in an empty swimming pool
Over 50 years since pictograms were first used at the Tokyo 1964 Olympics, Japanese designer Masaaki Hiromura has created 50 new symbols ahead of next year’s event
In an important step for the retailer, some of its best-selling products including the Billy Bookcase and Karlstad Sofa now include optional add-ons that make them easier to use if you have a disability
The filmmaker made headlines recently when her film Rafiki, which is about two girls who fall in love, was banned by the Kenyan authorities. She tells CR about becoming a filmmaker in a family of doctors, and her mission to tell stories that are fun, fierce and frivolous
Hoxton Mini Press’ new photobook sees joyful images of children using skipping ropes and making giant snowballs, and includes photos by Shirley Baker, Martin O’Neill and Paul Kaye
After studying graphic design at Falmouth and stints at a number of agencies in Manchester, Craig Oldham started his own studio in the city in 2015. We talk to him about why money is no measure of creative success and why “it’s not a crime to be skint”
The costume designer has made a name for herself working on productions including The Sopranos and The Handmaid’s Tale. She discusses her unconventional route into the industry, and why costume designers can no longer be dismissed as ‘the shirt girl’