Branding and design has played an important role in defining ITV’s hugely popular daytime programming. We talk to Fiona Skinner, who heads the in-house graphics team at ITV Daytime, about designing for Good Morning Britain, Lorraine, This Morning and Loose Women
Looking at how work gets made & what gets in the way
PhotoLondon takes place this week, so to celebrate, over the coming five days we are looking at all things photographic at CR. Here we talk to New York Times Picture Editor Jeffrey Henson Scales about his work, and what advice he’d give to photographers today.
Nexus Studios has collaborated with Google Spotlight, Google Arts & Culture and the Cinémathèque Française to create a 360-degree interactive Doodle inspired by the work of the pioneering French director George Méliès
As a keen-eyed observer of modern life, Stephen Collins produces some of the funniest cartoons around. He tells us about his working process, where he gets his ideas from – and reveals just what goes on at the ‘Whimsy Mine’, via a brand new comic drawn specially for Creative Review.
The adventures of Asterix the Gaul have been amusing British readers since 1969, thanks to the brilliant translations of Anthea Bell and Derek Hockridge. Last year, Adriana Hunter took over the job of converting the jokes, puns and celebrated character names into English. We talk to her about what the process involves
Since the 1970s, New Yorker cartoonist Roz Chast’s drawings have been providing keenly observed portraits of modern life – from the experience of caring for elderly parents to the chaos of living in New York City.