In new book What Is Universal Everything? the publisher traces the studio’s 15 years of creating algorithmic artwork. Naturally, each book also comes with a unique, digitally generated cover
As WeTransfer’s editorial website, WePresent, celebrates its first birthday, Editor Rob Alderson reflects on how brands are now less “guarded and precious” in what could be a new era for branded content that evokes a bygone era of long-form journalism
McCann Paris used Facebook Messenger’s AR tools to create an interactive age-positive supplement for British Vogue and l’Oreal Paris
Emotion tracking is providing a way for brands to target their ads at audiences who will be most receptive to them. Nelly Gocheva from T Brand Studio, the marketing unit of the New York Times, explains how it is changing storytelling
The broadcaster is airing a six-day livestream reconstructing the historic Apollo 11 mission, in celebration of 50 years since the eagle first landed
Whether it’s speaking at festivals, doing interviews, or simply sharing your work online, creative careers now come with an added requirement – the need to PR yourself. We find out how essential self promo really is
D&AD has released a set of advice flash cards for anyone fresh to the industry, with quotes from Craig Oldham, Top Girl Studio and Supermundane
Creativity is often viewed as something that exists beyond the structures we apply to other aspects of our lives, yet here Leadership Coach Tanya Livesey argues that introducing routine into your creative process may be surprisingly fruitful
To mark the intelligence agency’s centenary, a new exhibition at the Science Museum is spotlighting the role it played in historic events including World War Two and the Cold War, along with the rapidly changing landscape of cyber security
Sweet Harmony: Rave | Today unites some of the scene’s most prominent photographers and artists, as part of an AV experience at the Saatchi Gallery in London charting its roots and legacy
Citymapper has been simplifying our stressful commutes and muddled transport networks since 2011 – and injecting a bit of fun into things while doing so. Aimée McLaughlin investigates how the team behind the app is helping to shape the future of our cities
Players embark on a surreal trip into Apocabliss in Paloma Dawkins’ Songs of the Lost game, which envisions what a digital database of humans and bots might look like
The four-week course, run in partnership with the Hannah Arendt Center, invites creatives to explore future political structures through design, performance and “experiential practices”
This year’s Manchester International Festival features an ambitious production of Italo Calvino’s Invisible Cities. We talk to director Leo Warner about the challenges of bringing the novel to the stage, and creating a theatre from scratch at Mayfield in the city
As Ubisoft’s youngest art director Wong worked on some of the world’s biggest video games, but recently gave it all up for freelance life. He discusses pushing himself outside of his comfort zone, and the cityscapes that have inspired his style
Crowds of tiny line-drawn people are at the mercy of the player in Kids, which turns group dynamics into a game