For the past few years, alongside creating a new album and the soundtrack for Harry Potter & The Cursed Child, Imogen Heap has been working on a plan to revolutionise the music industry using blockchain technology. What could it mean for musicians?
People’s Vote, the campaign for a second referendum on the EU, has released a spoof video that reworks the notorious Fyre Festival promo film as a pro-Brexit ad
While we all need to earn a living, younger people are increasingly motivated by more than just their paypacket. How are creative companies responding to the challenge of offering meaningful benefits to their younger team members?
It’s an eternal issue in the creative industries, and a question that rarely has a simple answer. Here, we get to the bottom of when, if ever, it’s a good idea to work for free, what to watch out for, and what to bear in mind when deciding
Are brands ready to embrace rainbow Comic Sans and site counters? CR investigates whether we’re about to see a new wave of nostalgic digital design
Rapha has teamed up with tech startup Unmade to create Rapha Custom, a platform allowing customers to design their own team kits
We speak to fintech company Thought Machine and game studio Glitchers about Nestlings, a new app which hopes to make money saving more delightful and less anxiety inducing
We ask three experts for advice on creating a distinctive and engaging online experience – and explore how brands can create websites and apps with personality
When working in-house, what’s the best way to inspire members of your team? And as a leader, what can you do to fuel people’s desire to learn and grow? Our agony aunt Anna Higgs has some advice
From interactive stories to choose your own adventure games, we explore how brands can create engaging voice experiences for smart speakers
In the process of teaching himself how to code AI, our columnist Perry Nightingale develops a new found appreciation for human artistry. There are some skills we simply cannot transfer to machines, he says
It’s all white walls and blank space in Lego Wear’s pop-up store in London’s Soho. Until you open Snapchat that is…
Rollercoasters are no longer all about the corkscrew and loop-the-loop. They’ve become rich interactive experiences that use AR, VR and CGI to immerse riders in the story. Amanda Johnstone-Batt, CGI Supervisor on Framestore’s Rides team, tells CR what it takes to make them work
As society gets to grips with the impact of social media on our sense of self, M&C Saatchi’s new project Visual Diet questions the value and impact of the images we’re exposed to. Head of Visual Content Mimi Gray explains how it works
As Patrick Burgoyne prepares to step down after 20 years of Editor at Creative Review, he talks about his career at CR, and reflects on the ways journalism and the creative industries have changed in the past two decades
The advertising industry has been enamoured with the marketing potential of immersive events, VR and AR for some time now. But how do you make a really effective experiential ad? We spoke to a number of experts to find out