Emotion tracking is providing a way for brands to target their ads at audiences who will be most receptive to them. Nelly Gocheva from T Brand Studio, the marketing unit of the New York Times, explains how it is changing storytelling
The broadcaster is airing a six-day livestream reconstructing the historic Apollo 11 mission, in celebration of 50 years since the eagle first landed
A new exhibition at Home in Manchester focuses on David Lynch’s paintings, an as yet under-recognised aspect of his creative practice. We explore their relation to his films, and the wider influence his work has had on others
BFI Southbank’s new film season celebrates the 90s, which remains one of the most under-appreciated decades in cinematic history – even though it produced some of the most defiant, political films of our time
Crowds of tiny line-drawn people are at the mercy of the player in Kids, which turns group dynamics into a game
The textile artist started off working in set design and paper craft before finding her calling in wool. She discusses why taking a risk and making the switch paid off, and how traditional stereotypes around craft are changing for the better
Our latest issue is dedicated to ideas: how to get them, the brands and creatives that are shaking them up, and the first in a new series on the oral history of big ideas, starting with Skittles’ classic Taste the Rainbow ads
For his new solo album ANIMA, Thom Yorke has enlisted his regular collaborators for a creative campaign that puts dreams and dystopian societies at the forefront – led by a ballet-infused “one-reeler” by Paul Thomas Anderson
CR sat down with Industrial Light & Magic to find out why analogue craft is still alive, and how it’s coming together with digital methods to make movie magic
What do you do when the musician misses their own music video? If you’re director Max Siedentopf you step in front of the camera and channel your inner popstar – as he did on the disastrous shoot for Sigrid’s Mine Right Now
Ahead of the show’s third season, Polaroid Originals has released a secret game that nods to classic 80s arcade games, as part of a wider campaign promoting its new instant camera that transports users to The Upside Down
From websites and apps to wearable tech and VR, Michelle Cortese brings her UX expertise to a wide range of projects. Here she sheds light on the creative possibilities of working as a UX/UI designer
We take a look at all the Grand Prix winners from this year’s Cannes Lions festival, where Burger King, Nike and the New York Times were the biggest winners
Ellie Johnson has edited music videos for some of this decade’s most popular musicians, and her ad work has earned her clients in KFC, Galaxy and Land Rover. We talk to her about what makes a good editor, overcoming biases and whether university is worth it
A long lost experimental film by Bauhaus artist László Moholy-Nagy has been re-released 80 years after it was last screened in London
The second batch of Grand Prix winners from Cannes Lions features a Nike basketball court in a church, a digital clothing collection, and insight into how NYT journalists break dangerous stories
Neil Gaiman’s TV adaption of the apocalyptic novel he co-wrote with Terry Pratchett boasts an all-star cast including David Tennant and Michael Sheen – but its delightfully kitsch visual effects are the real star of the show. We speak to VFX studio Milk about bringing them to life
Rebel Rebel is the green-fingered duo behind Beyoncé’s floral headdress for Tyler Mitchell’s debut Vogue cover shoot, as well as the flowers in the final episode of Fleabag. We speak to its founders about why the flower game is worth the long hours and hard graft
Alma Har’el, the director behind the new platform for filmmakers, says “it’s time we treat talent-discovery of underrepresented creators” with a sense of “urgency and innovation”
Marie Bruce has worked on campaigns for Kenzo and Prada as well as shoots for Pylot, i-D and Refinery29. We talk to her about learning her craft, starting out in the industry and the demands of the job
Music leads the way in an immersive exhibition from James Lavelle of UNKLE and Punchdrunk creatives Colin Nightingale and Stephen Dobbie
Lee Sharrock profiles the prolific filmmaker, photographer and podcaster Sindha Agha, who brings her distinct visual style to projects exploring difficult issues around women’s health
Elliot Dear has created brilliantly crafted ads and music videos for Jon Hopkins, John Lewis and the BBC. We talk to the director about his route into filmmaking, coming up with ideas and creating animated worlds
The New York Times transforms storefronts as part of a new experiential campaign, The Truth Is Local, which highlights the paper’s reporting in each of the city’s boroughs