In her latest advice column for CR, Anna Higgs offers advice to a team member whose work life is being derailed by a rude and difficult colleague, and has a manager that doesn’t seem to care
Production designer Gavin Bocquet talks to CR about building on the fantastical world of Jim Henson’s cult feature film for a ten-part Netflix prequel
Stamped with one of Noma Bar’s trademark double entendre illustrations, our latest issue addresses the subject of fear. Whether it’s how to persuade clients to make the leap into the unknown, or the resurgence of well-crafted horror flicks
Pitching itself as a TV network for Gen Z, Kyra is the brains behind fashion-focused YouTube shows PAQ and NAYVA. We talk to Creative Director Kaio Grizzelle about writing for real-life content, and finding inspiration everywhere from haute couture to Geordie Shore
The screenwriter is best known for his cult series Peaky Blinders, based on the notorious gang that ran Birmingham when his parents were growing up. As Peaky fans prepare themselves for season five, he tells CR why real-life stories are his biggest source of inspiration
Animator Phoebe McCaughley is one of ten creatives we’ve selected to feature in our annual Gradwatch showcase, where we put the spotlight on the art and design grads we feel are producing outstanding creative work
After watching Fosse/Verdon, a series which explores the creative relationship between Bob Fosse and Gwen Verdon, designer Paul Cardwell ponders what, if any, allowances we should make for the notorious ‘creative temperament’
As the country readies itself for the fifth season of hit series Peaky Blinders, BBC has called on its fans to submit art for the promotional campaign
Artist Tobias Gremmler made the digitally generated film, which the musician says is based on “conversations between our inner optimist and pessimist”
Through the channel’s distinct tone of voice, Dave’s creative team has created a feeling of familiarity and entertainment through its advertising. CR speaks to the in-house team to find out how they did it
With Channel 4 moving its HQ to Leeds next month, Hazel Davis takes a look at the thriving cultural scene in the city, as well as the challenges it faces to attract talent
Has authenticity become little more than an industry buzzword, or does it offer an opportunity for creative work to make genuine connections with people?
The trailer for the next series of the Great British Bake Off is an ode to the public’s guilty pleasures and futile attempts to recreate ambitious bakes
The broadcaster’s most recent set of ITV Creates idents are designed by students and graduates, and feature sculptural interpretations of the channel’s logo
As part of the Nexus Studios Interactive team, Alex Jenkins creates immersive experiences in AR and VR. Here he explains why thinking spatially adds a new level to the ideas process
European channel ARTE TV has launched a new series of charming idents created by Superunion, which are designed to give a nod to its position as a cultural hub
New research comparing how men and women in the creative industries are reported in the media offers a fresh look at the gender gap in fields from fashion to art and design
Emotion tracking is providing a way for brands to target their ads at audiences who will be most receptive to them. Nelly Gocheva from T Brand Studio, the marketing unit of the New York Times, explains how it is changing storytelling
The broadcaster is airing a six-day livestream reconstructing the historic Apollo 11 mission, in celebration of 50 years since the eagle first landed
A new exhibition at Home in Manchester focuses on David Lynch’s paintings, an as yet under-recognised aspect of his creative practice. We explore their relation to his films, and the wider influence his work has had on others
BFI Southbank’s new film season celebrates the 90s, which remains one of the most under-appreciated decades in cinematic history – even though it produced some of the most defiant, political films of our time
Crowds of tiny line-drawn people are at the mercy of the player in Kids, which turns group dynamics into a game
The textile artist started off working in set design and paper craft before finding her calling in wool. She discusses why taking a risk and making the switch paid off, and how traditional stereotypes around craft are changing for the better
Our latest issue is dedicated to ideas: how to get them, the brands and creatives that are shaking them up, and the first in a new series on the oral history of big ideas, starting with Skittles’ classic Taste the Rainbow ads