How Prehistoric Planet’s dinos were designed
Jellyfish Pictures spent a year working on concept art for the Apple TV show, designing beasts that go beyond the big, scary lizard stereotype
Celebrating the craft of filmmaking and creativity on screen
Jellyfish Pictures spent a year working on concept art for the Apple TV show, designing beasts that go beyond the big, scary lizard stereotype
The Brazilian illustrator drew on the pulpy imagery of Stephen King book covers and vintage posters for a set of season four teaser visuals for the show
Netflix has recently announced that it will offer a lower-priced subscription featuring advertising. Here, Ben Kay explores what opportunities it might offer the ad industry
A simple prompt can be all it takes to overcome creative block and provoke a new way of thinking
Images of people facing suffering and financial hardship have often stumbled into ‘poverty porn’ and objectification. Is there a right way for an imagemaker to navigate this kind of work?
The streaming platform and production company is bringing arthouse and classic film alive on the printed page through generous design touches and unconventional features
The first Cannes Lions festival since 2019 has drawn to a close. Want to find out who won the Grand Prix awards this year? Well you’ve come to the right place
Kunsthall Stavanger in Norway is hosting the artist’s first Scandinavian show, and it’s filled with his trademark mix of deep psychology and playful imagery
The photographer and filmmaker’s exhibition at the ICP in New York celebrates the multifaceted nature of his practice over the course of nearly seven decades
Her stopmotion music video for Jordan Stephens’ Feel Joy explores the ups and downs of human emotion through a series of handmade props and a puppet in tiny tailored clothes
BBC Creative and ManvsMachine collaborated on the channel’s new idents, which are designed to offer a “livestream of the nation”
We talk to Thomas Robsahm, director of a new documentary film about A-ha, and music video director Steve Barron about the iconic animation he created for the band’s 1985 smash
We speak to the director about his recent experiments with real-time animation, and how technology more widely helps fuel his creativity
With the UK Government planning to privatise the 40-year-old broadcaster, CR speaks to current and former C4 employees about what makes it special, and the unique role it’s played in pioneering creativity
In recent years, arts education has been underfunded and under-prioritised – but creativity is vital for our society’s survival
Director Mike Mills commissioned the French artist to document the film’s behind-the-scenes action, with more than 100 artworks brought together in a companion art book
The Norwegian electronic music duo discuss why they parted with the “traditional album format” back in 2014, their newly released project, Profound Mysteries, and how they try to carry some of David Lynch’s spirit into their own work
The metaverse offers exciting possibilities for education, including the potential for more diverse access to the creative industries. But only if it’s built with inclusivity at its heart, writes Ally Owen, founder of Brixton Finishing School
The new agency, set up by Jean ‘Zampa’ Zamprogno and Fernando ‘Zaro’ Pellizzaro, hopes to bring clarity to the murky world of creativity for good – and they’re not scared of turning clients down
As A Clockwork Orange turns 60, and its movie adaptation turns 50, Daniel Benneworth-Gray examines the complex relationship between the book and the film, as expressed by the evolution of its covers over the decades
Backed by ITV, the new media brand is ditching the wellness industry’s well-worn tropes in the hope of redefining self-care for Gen Z audiences
A new exhibition in Florida is bringing together 22 mammoth backdrops used in classic studio films and celebrating the overlooked artists who created them
The director behind videos for Stormzy, Billie Eilish, Rosalía, and now Ed Sheeran, talks the importance of the edit, thinking on your feet, and making space for self-initiated work
Luana Hanson, the award-winning film and TV production designer behind Channel 4’s It’s A Sin, reveals how to build sets that will effortlessly take you to a specific time and place – and how simple missteps can rip viewers out of the world you’ve built