How I Got Here: Jiminie Ha
The Guggenheim Museum’s newly appointed director of graphic design Jiminie Ha reflects on the joys of a career spent mixing art and design
DR.ME celebrates a decade of great design with a new monograph
Not Dead Or Famous Enough Yet goes behind the scenes of how the Manchester studio has developed a unique aesthetic and an illustrious list of collaborators over the years
Building the musical world of Bicep
As Bicep’s Andy Ferguson and Matt McBriar release their second album, Isles, the duo discuss the process of creating the artwork in tandem with the record itself, and how their muscle-flexing emblem has become one of dance music’s most recognisable symbols
Jack Forrest’s daily poster project puts an emphasis on bold typography
Having just graduated, the designer experiments with different styles and imagery in his posters to challenge himself and connect with the design community
Seesaws along US-Mexico border named the Design Museum’s top pick of 2020
Teeter-Totter Wall has been announced as the overall winner of the Beazley Designs of the Year, while category winners include a Covid-19 visualisation and a portable school
Around the Block celebrates the horror and opportunity of the blank page
The short film, directed by Jonnie Lewis, draws parallels between the sidewalk creatures of Michigan street artist David Zinn and the importance of getting your idea out and into the world
Behind the scenes of Burger King’s juicy rebrand
JKR executive creative director Lisa Smith explains why the fast food giant ditched the glossy buns and embraced a bit of nostalgia, to become “how you imagine BK to be on its best day”
How I Got Here: Raul Aguila
From the New York Times to Esquire, Raul Aguila has cut his teeth at some of the biggest names in magazines. As he unveils one of his most exciting projects to date, a redesign of Variety to mark its 115th anniversary, the designer discusses what he’s learned along the way
Hearts grow legs for Wedge’s Gender Creative Kids Canada identity
The symbol forms a “universal language” to help the non-profit organisation express its support for non-binary and transgender children
Have club graphics been co-opted?
The CIA’s contentious new look has been likened to designs that emerged from electronic music culture. This is the latest example of club-style visuals appearing in unexpected places – we examine whether it’s a hostile takeover or the natural order of things
Kashiwa Sato’s uniquely Japanese design sensibility
Creative director and long-time Uniqlo collaborator Kashiwa Sato is one of Japan’s most revered creative minds. Here, he discusses the evolution of his nose-to-tail approach to design, which spans everything from communications to interiors
How Phunk pioneered a riotous clash of art and design in Singapore
New book Control Chaos looks back on 25 years of Phunk – the Singapore design collective that mashed creative disciplines together with its eye-popping work