What does the new creative workplace look like?
As the creative industry wrestles with the pros and cons of hybrid working, new office models are emerging to cater for a range of needs
Hazel Davis is a freelance journalist and copywriter for titles including the Financial Times, Guardian, Telegraph, Times, and Creative Review
As the creative industry wrestles with the pros and cons of hybrid working, new office models are emerging to cater for a range of needs
In a volatile market, freelancing offers both opportunities and challenges. We talk to three creatives about how they are finding it out there right now
With the public going to the polls on Thursday to vote in the UK’s first general election since 2019, we examine how the campaign messaging has played out
Influencer wrangling is now a crucial part of any brand management role. And this bit is relatively straightforward: find people who people like who can spread the word about your product. But what happens when the wrong people get in on the action?
In a consumer landscape that favours virtue, with audiences that will call out bad behaviour at the drop of a hat, courting controversy is a risky move. But brands can still use it to their advantage
The series Dead White Man by Jeremy Hutchison, currently on show as part of the British Textile Biennial in Blackburn, aims to address our over-consumption of fashion and how it is affecting Africa
A master of reinvention, the Barbie brand is about to embark on its biggest journey yet, via Greta Gerwig’s much anticipated movie. We examine why the brand has managed to always stay in fashion
Brand purpose has dominated advertising for the past decade, winning awards for serious, high-minded ideas, with humour nowhere in sight. But is bizarre, wacky advertising finally making a comeback?
We talk to the team behind Lexend, a typeface that is making reading easier for those with dyslexia, and explore whether all fonts should be designed with accessibility in mind
Covid-19 and inequalities in the industry such as pay disparity are hugely influencing women’s experiences in design, according to a new report from Women’s Design and Research Unit, which also offers some advice to create change
Joe Lycett has already perfected the art of trolling politicians and over-zealous brands, and is now gifting the world a coffee-table book about bins. He talks to CR about using art and comedy as rebellion and why comedians should care more about fonts
The photographer Catherine Hyland has documented the work at Fine Art Foundry in London, where artworks for the likes of Tracey Emin, Marc Quinn, and Anish Kapoor are created