We speak to the Droga5 founder about how growing up in a remote national park in Australia influenced his creative outlook, setting up his own agency out of arrogance and ignorance, and his mission above all else to remain relevant
The Israeli illustrator’s work is instantly recognisable for his masterful use of negative space and clever take on current affairs. He discusses how it all began in the forests of Galilee, and why creatives shouldn’t be afraid of bringing about political change through their work
Punchdrunk’s lavish theatre shows have inspired all kinds of immersive experiences – from pop-up supper clubs to musical performances. Founder Felix Barrett reflects on how the company got started and the pressures that come with fame
Founders Ben Wright and Paul Stafford on starting out in the industry, growing an agency and the challenges of working on high-profile rebrands
Jeremy Leslie has 30 years’ worth of experience in magazines, whether as an art director, author, or running the magCulture blog, studio, shop and conference. We speak to him about growing the company, and why getting fired (twice) was the best thing that ever happened to him
Over ten years on from starting the event, Glug has gone global with outposts in 35 countries. We speak to Ian Hambleton about turning it from a side project into a fully-fledged company, and putting on an event that doesn’t break the bank for Gluggers
As the photographer’s work covering the migrant crisis in the Calais Jungle goes on display at Brighton Photo Biennial, she discusses breaking away from fashion photography, and the importance of tackling issues that you genuinely care about
The photomontage artist is behind anti-war works dating from Vietnam through to Iraq. As he puts on his latest show to coincide with the 60th anniversary of the Campaign for Nuclear Disarmament, Kennard tells us about the enduring power of the photograph in the social media age
From Nobrow books and New Yorker covers to a Netflix adaptation, artist Luke Pearson tells CR how he found his creative freedom, why he’s left comics for grown-ups behind, and how his daughter is helping him think differently about children’s books
It’s been two years since the Monument Valley designer upped sticks from ustwo and returned to Australia to set up his own studio. As part of our games special this week, Wong discusses falling into the industry by accident, and the challenges of running a successful studio
Filmmaker Akinola Davies (aka Crackstevens – named for his love of Cat Stevens) has created videos for the likes of Blood Orange and Kate Tempest. Here he talks about growing up between Nigeria and Kent, and the challenges faced by people of colour in the creative industries
Illustrator, designer and animator John Bond talks about finding his voice, going freelance and making his first children’s book
The graphic designer talks to Rachael Steven about 20 years of running Hingston Studio, working with Nick Cave and Massive Attack and the key to a successful collaboration
This week, CR is focusing on creativity in music. Here, The Cure’s long-term designer and creative partner talks about making work from scratch, why mistakes are what makes design great, and how he created the Just Like Heaven Cover with $30 of potatoes
Designer Patrick Duffy has worked everywhere from ad agencies like Fallon through to in-house teams at Airbnb and Dice, where he’s just taken on the new role of creative director. Here he explains how he got there
To coincide with Cannes Lions, this week on CR we’re focusing on the ad industry. As they celebrate 20 years of working together, we speak to AMV BBDO creative partners Mike Crowe and Rob Messeter about keeping the fire burning
Artist Hattie Stewart discusses why she prefers to be thrown in the deep end, how suffering for art isn’t her thing, and why you can’t go wrong with hearts and flowers
Artist Rob Ryan on why his work goes far beyond paper cuts, and what it’s like to make it in your 40s.
After interning at Magnum Photos as a teenager, Norwegian photographer Jonas Bendiksen went on to join the prestigious agency when he was just 27. As part of our photo special this week, he talks about luck, determination and the importance of a great story
The Field Notes founder on his mission to stay small, how his hometown shaped his career, and why he developed his DIY ethos.
Alice Tonge is the Head of 4Creative, Channel 4’s in-house agency, which she describes as a “wonderful mash-up of design agency, ad agency and production company”. Here she explains how she got there.
Jim Stoddart, art director at Penguin Press since 2001, talks about an early switch from architecture to graphic design, where he finds inspiration, and the importance of patience and empathy in design. This article is part of our series focusing on designers working in-house.
Amanda Levete is known for daring, ambitious and innovative architectural projects. Last year her practice AL_A completed the £54 million exhibition hall and porcelain tiled courtyard at the Victoria and Albert Museum in London – a project that involved drilling 50 metres into the ground and remodelling a 19th-century screen. Levete studied architecture at the […]
The veteran photographer talks to CR about learning his craft on the streets of New York, making the case for colour and his new retrospective, Where I Find Myself