Chief creative officer Richard Brim takes us through the influence of ads in his youth, his first impressions of the industry, the lessons that stuck, and why he still wrestles with being called an ‘advertiser’
The director of the compelling new A24 drama Waves talks to CR about his childhood, the biggest influences on his career, and the hardest part of the filmmaking process
After five years at The New York Times Magazine, Matt Willey is leaving to become a partner at Pentagram. Here we talk to him about the childhood experiences and jobs that led to him landing one of the most coveted jobs in design
We talk to renowned graphic designer Milton Glaser about turning 90, what’s wrong with design today and why retirement is the furthest thing from his mind
We talk to designer, writer and educator Gail Anderson about the mentors who shaped her career, diversity in the industry and her ever-growing collections of ‘things’
Lizzo’s creative director Quinn Wilson tells CR how she went from doing makeup to directing music videos, and why big bouncing asses and real conversations really can work side by side
Isamaya Ffrench became one of the most sought-after creatives in fashion thanks to her unconventional use of makeup. Here, she talks to CR about her art, the pressure that comes with finding success at an early age and her conflicted relationship with social media
Ahead of the release of his memoir, the poet discusses growing up in care, documenting his existence through poems when no one else listened, and poetry’s remarkable pop culture resurgence
As the designer launches her eponymous new agency &Walsh, she tells CR about designing her first website aged 11, dealing with the group of haters that come with being a well-known woman in design, and why you’re never too successful to rely on Google for answers
Ogilvy’s recently named Global CCO started out as a cricketer and a tea taster before joining the ad world. He discusses revolutionising Indian advertising in the 80s, why he’s stayed at Ogilvy for three decades, and his optimistic outlook for the industry’s future
We talk to puppet maker Andy Gent about working on Wes Anderson’s Isle of Dogs and Fantastic Mr Fox, and how stop motion animation is in a golden age, much to his surprise and delight
Existential questions have always informed Nadav Kander’s work. By abandoning himself to the unknown, he has mastered his own creative language. We talk to him about his work
As a writer, artist, and publisher, Leanne Shapton is a master of spinning plates. CR finds out how a love of Push Pin Studios and growing up immersed in dark tales shaped her creative approach
We speak to the Droga5 founder about how growing up in a remote national park in Australia influenced his creative outlook, setting up his own agency out of arrogance and ignorance, and his mission above all else to remain relevant
The Israeli illustrator’s work is instantly recognisable for his masterful use of negative space and clever take on current affairs. He discusses how it all began in the forests of Galilee, and why creatives shouldn’t be afraid of bringing about political change through their work
Punchdrunk’s lavish theatre shows have inspired all kinds of immersive experiences – from pop-up supper clubs to musical performances. Founder Felix Barrett reflects on how the company got started and the pressures that come with fame
Founders Ben Wright and Paul Stafford on starting out in the industry, growing an agency and the challenges of working on high-profile rebrands
Jeremy Leslie has 30 years’ worth of experience in magazines, whether as an art director, author, or running the magCulture blog, studio, shop and conference. We speak to him about growing the company, and why getting fired (twice) was the best thing that ever happened to him
Over ten years on from starting the event, Glug has gone global with outposts in 35 countries. We speak to Ian Hambleton about turning it from a side project into a fully-fledged company, and putting on an event that doesn’t break the bank for Gluggers
As the photographer’s work covering the migrant crisis in the Calais Jungle goes on display at Brighton Photo Biennial, she discusses breaking away from fashion photography, and the importance of tackling issues that you genuinely care about
The photomontage artist is behind anti-war works dating from Vietnam through to Iraq. As he puts on his latest show to coincide with the 60th anniversary of the Campaign for Nuclear Disarmament, Kennard tells us about the enduring power of the photograph in the social media age
From Nobrow books and New Yorker covers to a Netflix adaptation, artist Luke Pearson tells CR how he found his creative freedom, why he’s left comics for grown-ups behind, and how his daughter is helping him think differently about children’s books
It’s been two years since the Monument Valley designer upped sticks from ustwo and returned to Australia to set up his own studio. As part of our games special this week, Wong discusses falling into the industry by accident, and the challenges of running a successful studio
Filmmaker Akinola Davies (aka Crackstevens – named for his love of Cat Stevens) has created videos for the likes of Blood Orange and Kate Tempest. Here he talks about growing up between Nigeria and Kent, and the challenges faced by people of colour in the creative industries