We speak to the former founder of bookshop Magma about the changing nature of the publishing industry, creating gifts that have content at their core, and why more and more publishers are beginning to take them seriously
Renowned art director Marc Ascoli recently joined AnOther Magazine as Creative Director. As his first issue hits the shelves, we talk to him about why magazines still matter, working with Nick Knight, and how fashion has changed in his 30-year career
As the magazine subscription service celebrates its tenth birthday, we speak to Watson about making his passion project a full-time gig, and tapping into people’s growing appetite for original and innovative indie mags
Novelist Jessie Burton has recreated her writing space in the window of Heal’s in London as part of an exhibition for London Design Festival. We talk to her about how her real writing ‘shed’ influences her writing, and how she copes with both success and criticism
In the five years since becoming director, Caroline Baumann has turned Cooper Hewitt’s visitor demographic upside down, re-establishing it as New York’s go-to authority for design. She discusses how she reinvented the museum, and why approachability is the future for design
As guardian of the V&A’s Rapid Response Collection, Corinna Gardner has overseen the museum’s acquisition of everything from a 3D-printed gun to a Pussyhat. She explains how the museum makes its decisions, and why Primark jeans and false eyelashes belong under its roof
He’s unzipped buildings, made houses melt, and tied 450-year-old architecture in knots. Alex Chinneck’s work looks like magic, but the story behind each project is complex. From planning permission to hand-crafted wax windows, here’s how he gets his ideas made
The leader of Sky’s in-house creative agency discusses how he has tackled some familiar issues for in-house teams, including recruitment, diversity, process and making the transition from service department to strategic partner
Aaron Hinchion heads up the creative team at Kano. Here, he discusses building an in-house creative team, using gaming mechanics to teach people about coding and computing and the difference between life in a startup and an agency
There are not many photographers shooting in sausage factories and slaughterhouses, but Alastair P Wiper has made a career of it. Here’s how an eye for the beauty of industrial machinery has given him the chance to photograph hidden processes across Europe
Cult comic the Beano is celebrating its 80th birthday this year. To mark the occasion, we speak to Mike Stirling who heads up Beano’s in-house studio about the ‘fun factory’ work culture at its Dundee headquarters, and how to make a heritage brand stay relevant in a digital world
The sculptor and former Spitting Image head maker on humour in art, critiquing his work and finding inspiration in his local Tesco
Leonie Cooper is responsible for bringing ticketing app Dice’s voice to life through written and video content. As part of our creativity in music series, she talks about ditching traditional music journalism for an in-house role and giving ticketing companies a better name
Semera Khan has commissioned music videos for the Rolling Stones, Lana Del Rey and HAIM. We talk to her about the changing nature of music videos, dealing with the unexpected and working with artists to develop an idea
Oscar Hudson has directed some brilliant music videos. We talk to the London-based filmmaker about his process, getting inventive with camera angles and directing a video for Young Thug after his infamous no-show
Alona Pardo has been a curator at the Barbican since 2005. Here she discusses the joys, challenges and pressures of putting together blockbuster photography shows that reflect on the world around us
As a new book on his work with Giles Deacon and Katie Grand is released, we talk to fashion photographer Sølve Sundsbo about how he creates his startling images
Creative Lead Mark Woodward heads up the team creating montages, promos and mini-documentaries for the BBC’s World Cup coverage. Here he discusses what it’s like working on the biggest event in football.
As Creative Director at Warner and Parlophone Music, Richard Welland has created album art for Liam Gallagher, Bat for Lashes and Lily Allen. Here he explains what it’s like behind-the-scenes at a major label…
Producer Daniel Lopatin explains why being a musician isn’t quite enough, the story behind his immersive new Barbican show, and how his dream is to set up a “deranged Disney”
Ross Middleham is a content lead at the Met Office, the UK’s national weather service. We talk to him about making weather exciting on Twitter, Snapchat and Instagram, and how nowadays the Met Office rarely gets it wrong.
We catch up with Fabien Riggall, Secret Cinema founder, on the “magic and madness” of bringing everyone’s favourite films to life as exciting, immersive experiences
We speak to Ned Read, founder and editor of football magazine Pickles about how the publication has outlasted others, growing a readership and the future of the magazine
Speaking at this year’s Offset festival, artist and illustrator Chris Ware gave insights into his working practice, his battles with self-doubt and procrastination, and how comic books capture the “infinite present”.