Aaron Hinchion heads up the creative team at Kano. Here, he discusses building an in-house creative team, using gaming mechanics to teach people about coding and computing and the difference between life in a startup and an agency
Cult comic the Beano is celebrating its 80th birthday this year. To mark the occasion, we speak to Mike Stirling who heads up Beano’s in-house studio about the ‘fun factory’ work culture at its Dundee headquarters, and how to make a heritage brand stay relevant in a digital world
Leonie Cooper is responsible for bringing ticketing app Dice’s voice to life through written and video content. As part of our creativity in music series, she talks about ditching traditional music journalism for an in-house role and giving ticketing companies a better name
Alona Pardo has been a curator at the Barbican since 2005. Here she discusses the joys, challenges and pressures of putting together blockbuster photography shows that reflect on the world around us
As a new book on his work with Giles Deacon and Katie Grand is released, we talk to fashion photographer Sølve Sundsbo about how he creates his startling images
Creative Lead Mark Woodward heads up the team creating montages, promos and mini-documentaries for the BBC’s World Cup coverage. Here he discusses what it’s like working on the biggest event in football.
As Creative Director at Warner and Parlophone Music, Richard Welland has created album art for Liam Gallagher, Bat for Lashes and Lily Allen. Here he explains what it’s like behind-the-scenes at a major label…
Producer Daniel Lopatin explains why being a musician isn’t quite enough, the story behind his immersive new Barbican show, and how his dream is to set up a “deranged Disney”
Ross Middleham is a content lead at the Met Office, the UK’s national weather service. We talk to him about making weather exciting on Twitter, Snapchat and Instagram, and how nowadays the Met Office rarely gets it wrong.
We catch up with Fabien Riggall, Secret Cinema founder, on the “magic and madness” of bringing everyone’s favourite films to life as exciting, immersive experiences
We speak to Ned Read, founder and editor of football magazine Pickles about how the publication has outlasted others, growing a readership and the future of the magazine
Speaking at this year’s Offset festival, artist and illustrator Chris Ware gave insights into his working practice, his battles with self-doubt and procrastination, and how comic books capture the “infinite present”.