The Hong Kong-based illustrator’s attention grabbing creations are filled with bum-shaped peaches and well-endowed pickles, but she is also passionate about using her work to grapple with difficult subjects like sexual consent and body shaming
Oliver Jeffers’ new book The Fate of Fausto sees the writer and illustrator turn his hand to a new medium – lithographic printing – and features type handset by designer David Pearson
This year’s Design Manchester festival is focused on those who “take their own path and make and break the rules”, with speakers including Paula Scher, Hansje van Halem and Cosey Fanni Tutti
In order to come up with the risky ideas that clients desperately need today, creatives need to feel supported. CR talks to adam&eveDDB’s Rick Brim and Accept & Proceed’s Lily Fletcher about overcoming fear in the workplace
After losing his partner of eight years, writer and artist AJ Dungo published his first graphic novel, In Waves. He speaks with CR about how it’s given him a new understanding of creativity as a way of processing fear, memory and emotion
Creatives including OMSE and Supermundane attempt to tackle the question ‘what would you say to your neighbour?’ for the show, which will run during London Design Festival and donate its proceeds to homeless charity The Manna Society
We chat to Josephine Rais about designing characters for a book cover, life as a creative in Berlin, and why there needs to be more discussion about the pressure on artists to constantly deliver work
Marking 300 years since Robinson Crusoe was first published, Archipelago: An Atlas of Imagined Islands invites 91 illustrators to craft mythical islands of their own making
In the 1970s and 80s, the Paddington Printshop created posters and prints for local causes and campaigns. Co-founder John Phillips talks to CR about what those days were like and a new book of posters from the archive
In her latest advice column for CR, Anna Higgs offers advice to a team member whose work life is being derailed by a rude and difficult colleague, and has a manager that doesn’t seem to care
The master of the double entendre has worked with Vintage Creative Director Suzanne Dean on the cover design for the hotly anticipated follow up to The Handmaid’s Tale. We speak to him about bringing Atwood’s fictional world to life
As next Friday’s Global Climate Strike approaches, Pentagram’s Naresh Ramchandani explains why he and his team are taking part, and why the rest of the design and advertising community should be too
