Interviews

Ben Wheatley on making Free Fire

The director’s latest film is a celebration of the visceral action movie. He talks to CR about the tools he used to make it – from maps and storyboards, to Airfix models and Minecraft

How to build a fashion brand: lessons from & Other Stories

After six years as creative director at & Other Stories – the H&M-owned global fashion brand she co-founded in 2010 – Sara Hildén-Bengtsson has left to set up a design and concept studio for retail brands. Here, she shares the key to & Other Stories’ success and offers some advice for creating a great customer experience

On humanitarian storytelling

Art Director Gem Fletcher speaks to photographer Nick Ballon and artist Alma Haser about creating imagery for Save the Children’s Invisible Wounds project

Adam Smith The Chemical Brothers

“Just make things, make things, make things”: Adam Smith on directing

From The Chemical Brothers to Little Dorrit, The Streets to Doctor Who, Adam Smith has had an eclectic and distinctive directing career. As his first feature film, Trespass Against Us, is released, we talk to him about working with Michael Fassbender, making the perfect concert visuals, and the importance of finding projects that speak to you.

Natasha Khan: Musician/Artist/Director

Like FKA twigs and Róisín Murphy before her, Natasha Khan, aka Bat For Lashes, is becoming a film director as well as a musician, and has recently signed to B-Reel Films for commercial work. We talk to her about her plans.

Jungle Book MPC

How The Jungle Book was made

MPC picked up the Best Special Visual Effects award at last night’s BAFTAs for its stunning work on The Jungle Book. We talk to Elliot Newman, CG Supervisor on the film, about how it was made.

How to do good work

Studio Thomas.Matthews has put sustainability at the heart of its design practice and working environment. Mark Sinclair talks to its co-founder Sophie Thomas about creativity as an agent for change

The science of design

Having helped take the V&A into new territories as its Head of Design, Annabel Judd is now using her talents to reinvigorate the Science Museum Group. She talks to Mark Sinclair about her journey so far