Megan Williams

Megan is news editor at Creative Review, which she joined in 2019. She covers design, advertising, books, and exhibitions, and has a particular interest in photography and digital culture

Tetris style pattern against a black background

Are specialisms dead?

And does it matter if they are? We ask a range of creatives about whether the industry is oversaturated with generalists, why this might seem to be the case, and what is lost and gained

Graphic featuring a range of different size and shape crops of Brian Eno's face

Brian Eno, different every time

Gary Hustwit’s new documentary film about the prolific producer, artist and thinker is programmed to generate alternative versions each time it’s shown. The director explains why this approach is the only reason Eno agreed to take part, and the possibilities of this technology for filmmakers