For the past few years, alongside creating a new album and the soundtrack for Harry Potter & The Cursed Child, Imogen Heap has been working on a plan to revolutionise the music industry using blockchain technology. What could it mean for musicians?
From sleeve to screen: the pick of CR’s music-related content
A 70s style dance party turns delightfully weird in this video for track Got To Keep On, directed by Michel and Olivier Gondry
Turner Prize-winning artist Wolfgang Tillmans is making his debut as a set designer this month, for a new production of Benjamin Britten’s War Requiem at the ENO in London. We talk to him about the project
Paul Simonon contributes to the music on Merrie Land, the second album from The Good, The Bad & The Queen, but has also created the visuals for the release. We talk to him about his inspirations, creating art with Nescafé coffee, and Brexit
The graphic designer and letterpress artist has co-produced a record with one half of electronic duo Acid Washed, which features a fittingly typographic record sleeve
With This Is America providing the most significant cultural moment for a music video in some years, it would have been shocking if he hadn’t, frankly. Other big winners at last night’s ceremony include Florence + The Machine and Young Fathers
We’re used to clever visual trickery from promos director Oscar Hudson, and his new video for Loyle Carner’s Ottolenghi doesn’t disappoint