So you want to be a… music supervisor
Being a music supervisor involves much more than finding the perfect track. We spoke to Catherine Grieves – music supervisor on Killing Eve – about the demands of the job and her route into film and TV
Record sleeves of the year 2018
Our favourite album art from 2018 – including a dystopian collage for Beach House, a striking photographic cover for Baloji and a funky set of sleeves for Roisin Murphy
Paul Pensom: how does your studio sound?
In his latest column on life as an independent designer, Paul Pensom muses on the role that music plays in the studio, and the impact it can have on your creativity
Jarami’s surreal video takes us inside a kebab
A kebab shop employee finds himself inside a doner in the bonkers film from directors Pensacola
Wolfgang Tillmans on his set design for the ENO’s War Requiem
Turner Prize-winning artist Wolfgang Tillmans is making his debut as a set designer this month, for a new production of Benjamin Britten’s War Requiem at the ENO in London. We talk to him about the project
Paul Simonon on creating the artwork for The Good, The Bad & The Queen
Paul Simonon contributes to the music on Merrie Land, the second album from The Good, The Bad & The Queen, but has also created the visuals for the release. We talk to him about his inspirations, creating art with Nescafé coffee, and Brexit
Anthony Burrill’s visual venture into the world of acid house
The graphic designer and letterpress artist has co-produced a record with one half of electronic duo Acid Washed, which features a fittingly typographic record sleeve
Childish Gambino wins Music Video of the Year at the UK MVAs
With This Is America providing the most significant cultural moment for a music video in some years, it would have been shocking if he hadn’t, frankly. Other big winners at last night’s ceremony include Florence + The Machine and Young Fathers
Oscar Hudson’s new promo for Loyle Carner is a delight
We’re used to clever visual trickery from promos director Oscar Hudson, and his new video for Loyle Carner’s Ottolenghi doesn’t disappoint
Vaughan Oliver and the Body
Unit Editions has published a new book celebrating the graphic delights found in designer Vaughan Oliver’s archive. Here, as part of our Body theme on the website this week, we look at the part that the human form has played in Oliver’s work
Creative Director Anna Bergfors on life (and work) after gender transition
Anna Bergfors was born Mat Cook, living and working under that name until transitioning in 2017. We talk to her about the recent changes in her life, her work and her hopes for the future
War stories: Channel 4’s Prototype
For the first in a new series of stories looking at overcoming creative adversity, Chris Bovill and John Allison talk us through a project for Channel 4 which proved that making truly effective branded content can be a bumpy, complicated experience