For the past few years, alongside creating a new album and the soundtrack for Harry Potter & The Cursed Child, Imogen Heap has been working on a plan to revolutionise the music industry using blockchain technology. What could it mean for musicians?
A 70s style dance party turns delightfully weird in this video for track Got To Keep On, directed by Michel and Olivier Gondry
Being a music supervisor involves much more than finding the perfect track. We spoke to Catherine Grieves – music supervisor on Killing Eve – about the demands of the job and her route into film and TV
Our favourite album art from 2018 – including a dystopian collage for Beach House, a striking photographic cover for Baloji and a funky set of sleeves for Roisin Murphy
In his latest column on life as an independent designer, Paul Pensom muses on the role that music plays in the studio, and the impact it can have on your creativity
A kebab shop employee finds himself inside a doner in the bonkers film from directors Pensacola
Turner Prize-winning artist Wolfgang Tillmans is making his debut as a set designer this month, for a new production of Benjamin Britten’s War Requiem at the ENO in London. We talk to him about the project
Paul Simonon contributes to the music on Merrie Land, the second album from The Good, The Bad & The Queen, but has also created the visuals for the release. We talk to him about his inspirations, creating art with Nescafé coffee, and Brexit
The graphic designer and letterpress artist has co-produced a record with one half of electronic duo Acid Washed, which features a fittingly typographic record sleeve
With This Is America providing the most significant cultural moment for a music video in some years, it would have been shocking if he hadn’t, frankly. Other big winners at last night’s ceremony include Florence + The Machine and Young Fathers
We’re used to clever visual trickery from promos director Oscar Hudson, and his new video for Loyle Carner’s Ottolenghi doesn’t disappoint
Unit Editions has published a new book celebrating the graphic delights found in designer Vaughan Oliver’s archive. Here, as part of our Body theme on the website this week, we look at the part that the human form has played in Oliver’s work