Patrick was formerly Editor of Creative Review
When creative agencies insist that their clients have a purpose, should we be surprised when their employees question what their own is? Patrick Burgoyne wonders if it’s finally time for ad and design firms to be clear on their ethical stance
A new report by the advertising body IPA suggests that the work that picks up the major gongs at award shows is no longer effective. This should be a stark warning to jurors, says Patrick Burgoyne
Design has finally made its way into the boardroom and established its place in the business world. But, asks Patrick Burgoyne, are all designers being invited to the party?
In his latest column Patrick Burgoyne discusses his concerns around the marketisation of education, why it isn’t producing industry-ready professionals and how we can change this
In the first edition of a regular column for CR, Patrick Burgoyne reflects on Generation Alpha, and the hopes, dreams and expectations that future-gazers and brands are already placing on their shoulders
McKinsey’s Business Value of Design report might just be what the profession has been looking for: proof of what it can bring to business, in language a CEO understands, and a set of tools to help any organisation get the most out of design
The Copenhagen-based illustrator has a new exhibition featuring work made for Denmark’s cycling community over the past decade
Not everyone would contemplate working with their dad, never mind spending all day sitting across from them in the same room. But that’s precisely the set up at Carter Studio, the graphic design firm founded by Joe and Phil Carter
David Byrne is wearing white. White tracksuit top, white jeans, white socks, white trainers. He is sitting on a sofa in a hotel room and the sofa (can this be a coincidence?) is also white. His shirt bucks the trend by being black; rimless glasses hang from the top buttonhole. His silvery hair isn’t white […]
As a graffiti artist and painter, Robert Del Naja was the obvious choice to handle the visual direction of the band he co-founded, Massive Attack. As the band’s popularity grew, so did the scale and ambition of their sleeve artwork and live shows, both conceptually and in terms of process and presentation. This month sees […]
Art director, graphic designer, and all-round advertising legend George Lois comes with his own slogan. Well, it’s more of an anti-slogan really, yet it has followed him around his entire life. “I kid around that when I was a baby in a crib, God or Michelangelo’s hand came through the ceiling on a dark and […]
In its meticulous creation of the State of Zubrowka, Wes Anderson’s latest film, The Grand Budapest Hotel, is a typographic treat. The film’s lead graphic designer Annie Atkins was responsible for every graphic prop in the movie. We spoke to her about her work CR: How did you get into working in film? I worked […]