Time for change
The Black Lives Matter movement has led to a shake-up of some design’s oldest organisations and clubs. Such change is long overdue, writes Patrick Burgoyne
Who’s Zoomin’ who?
As we grow used to a world of Zoom calls and distanced collaboration, Patrick Burgoyne speculates on what longer-term changes may arise from the lockdown
In praise of judging
As coronavirus wreaks havoc with this year’s creative award shows, D&AD CEO Patrick Burgoyne reflects on why judging matters, if done well
The rise of non-visual design
Visual design has dominated for decades, but, says Patrick Burgoyne, with increasing innovation in sound, new opportunities for designers are emerging
Predictions for a new decade: Patrick Burgoyne
To mark the start of the 2020s, we’ve asked a selection of our regular columnists to offer up predictions of what lies ahead. Here, D&AD CEO Patrick Burgoyne foresees an end to design blandness, and makes a plea for the industry to get serious about climate change
Patrick Burgoyne on design and fame
Here, Patrick Burgoyne explores the often fraught role that fame plays in graphic design, especially if you are British
An experiment in connection by Nick Cave
Nick Cave has created an unusually open forum for conversation with his website The Red Hand Files. Patrick Burgoyne dives into its stories
Do creative agencies need to work on their purpose?
When creative agencies insist that their clients have a purpose, should we be surprised when their employees question what their own is? Patrick Burgoyne wonders if it’s finally time for ad and design firms to be clear on their ethical stance
David Byrne In The Round
David Byrne is wearing white. White tracksuit top, white jeans, white socks, white trainers. He is sitting on a sofa in a hotel room and the sofa (can this be a coincidence?) is also white. His shirt bucks the trend by being black; rimless glasses hang from the top buttonhole. His silvery hair isn’t white […]
3D and the Art of Massive Attack
As a graffiti artist and painter, Robert Del Naja was the obvious choice to handle the visual direction of the band he co-founded, Massive Attack. As the band’s popularity grew, so did the scale and ambition of their sleeve artwork and live shows, both conceptually and in terms of process and presentation. This month sees […]
Be careful George!
Art director, graphic designer, and all-round advertising legend George Lois comes with his own slogan. Well, it’s more of an anti-slogan really, yet it has followed him around his entire life. “I kid around that when I was a baby in a crib, God or Michelangelo’s hand came through the ceiling on a dark and […]
Designing for The Grand Budapest Hotel
In its meticulous creation of the State of Zubrowka, Wes Anderson’s latest film, The Grand Budapest Hotel, is a typographic treat. The film’s lead graphic designer Annie Atkins was responsible for every graphic prop in the movie. We spoke to her about her work CR: How did you get into working in film? I worked […]