Patrick was formerly Editor of Creative Review
McKinsey’s Business Value of Design report might just be what the profession has been looking for: proof of what it can bring to business, in language a CEO understands, and a set of tools to help any organisation get the most out of design
The Copenhagen-based illustrator has a new exhibition featuring work made for Denmark’s cycling community over the past decade
Not everyone would contemplate working with their dad, never mind spending all day sitting across from them in the same room. But that’s precisely the set up at Carter Studio, the graphic design firm founded by Joe and Phil Carter
The “sublime but gruesome” art of medical illustration through the centuries is celebrated at a new Royal College of Physicians pop-up exhibition in London
The Favourite is hotly-tipped for major awards success. Design fans have an additional reason to love the film – its distinctive typographic ‘chapter openers’. We spoke to their designer Vasilis Marmatakis
Each year, illustrator Frode Skaren and graphic designer Rune Mortensen devise a fun new identity for this Oslo music festival. For this year, interchangeable wood-cut boards create a physical version of a digital image file
Karmarama’s latest recruitment campaign for the British Army “focuses on how the Army sees beyond stereotypes to spot young people’s potential”
Our top ten most-read stories of the year include the World Cup, branding developments, Nike, Childish Gambino and a great ad idea involving crocodiles
David Byrne is wearing white. White tracksuit top, white jeans, white socks, white trainers. He is sitting on a sofa in a hotel room and the sofa (can this be a coincidence?) is also white. His shirt bucks the trend by being black; rimless glasses hang from the top buttonhole. His silvery hair isn’t white […]
As a graffiti artist and painter, Robert Del Naja was the obvious choice to handle the visual direction of the band he co-founded, Massive Attack. As the band’s popularity grew, so did the scale and ambition of their sleeve artwork and live shows, both conceptually and in terms of process and presentation. This month sees […]
Art director, graphic designer, and all-round advertising legend George Lois comes with his own slogan. Well, it’s more of an anti-slogan really, yet it has followed him around his entire life. “I kid around that when I was a baby in a crib, God or Michelangelo’s hand came through the ceiling on a dark and […]
In its meticulous creation of the State of Zubrowka, Wes Anderson’s latest film, The Grand Budapest Hotel, is a typographic treat. The film’s lead graphic designer Annie Atkins was responsible for every graphic prop in the movie. We spoke to her about her work CR: How did you get into working in film? I worked […]