Ashmolean’s new identity brings a historic museum into the modern world
Design studio Blast has given the Oxford museum a branding facelift that aims to honour its 337-year heritage, while allowing it to breathe across the digital landscape
How to keep the creative spark alive when WFH
Thanks to coronavirus, JKR had to set up over 100 employees to work from home practically overnight. Here’s how they did it, and what they learned about keeping creativity going when you can’t be in the same room
A go-to guide for creative support during coronavirus
Creatives and companies the world over are offering help and support during the Covid-19 pandemic. Here is CR’s list of what’s available right now, which we will update regularly
A love letter from designer Paula Scher
In a new series for CR, we’re asking artists and creatives to talk about the people or pieces of work that have most inspired them. Here, Pentagram designer Paula Scher explains the influence Seymour Chwast’s Artone font had on a generation
Why is women-only networking still a thing?
There’s been a surge in female-focused clubs, co-working spaces and events, but what do women in the creative industry actually get out of it, and is it fixing anything?
Should you always love your job?
When it comes to work, it’s often a complicated relationship. CR investigates how you know when the spark of love for your job is gone, and what it takes to get the magic back
The Economist’s latest campaign reacts to trying times
The billboard campaign harks back to AMV BBDO’s famous red and white ads for the publication, serving to remind its audience that good journalism is more important than ever
Pentagram’s playful new identity for Fisher-Price
Created by Emily Oberman, the refreshed identity sits alongside a new brand strategy led by Wieden+Kennedy featuring the simple tagline: Let’s be kids
