How I Got Here: Fraser Muggeridge
Graphic designer Fraser Muggeridge tells CR why he’s not afraid to make wonky type, and how he went from a logo-loving teen to campaigning against ‘café normal’ design
Snask gives shoe retailer Schuh a fresh new look
Centred around a new stripe graphic that appears in Schuh’s signature bright green hue, the brand identity focuses less on having the latest trainer brands and more on the retailer’s reputation for customer service
Pentagram creates an uplifting brand identity for the Mental Health Coalition
Created by Paula Scher and her team, the identity focuses on a ‘square peg in a round hole’ icon that signifies there is no normal when it comes to mental health
The inspiration behind Mark Titchner’s powerful billboard posters
Collaborating with the Build Hollywood agency family, Titchner has taken over billboard sites across the UK with a typographic work that aims to boost morale. A new short film documents the project
The Nationwide Degree Show will display grad work on billboards
The Nationwide Degree Show is offering art and design graduates – who are left with no regular degree shows this year due to coronavirus – the chance to see their work displayed on billboards across the UK
Designers from across the world contribute to Group, an eclectic charity typeface
The new font is the collaborative effort of 37 designers and lettering artists from around the globe, and aims to raise funds for the WHO during the coronavirus crisis
How I Got Here: Ellen Lupton
The writer, curator and designer tells CR why we should all care about typography, why design thinking is so important right now, and what it’s like to be the author of over 20 books
Dazed recruits creatives to spread some much needed positivity
Everyone from Vivienne Westwood and Katharine Hamnett to Wolfgang Tillmans and Massive Attack’s 3D have donated original artworks to Dazed’s Covid-themed poster campaign, with proceeds going to the Barts Charity
