A shape-shifting visual identity for fashion designer Sinéad O’Dwyer
Created by Greenspace, the new branding explores the influence of human bodies – and the many shapes and sizes they come in – on the designer’s work
Park Lane’s new identity steps back from OTT luxury
The hotel in New York City is gunning for a more accessible feel, with an ornate identity by Mother Design that embraces the establishment’s geography
Inside the French Dispatch
Wes Anderson’s star-studded film follows the dramas that unravel in a fictional French city, told from the perspective of expat journalists. We look at how graphic design and illustration brought the movie to life
The Annual 2022 is open for entries!
The Annual, Creative Review’s yearly award scheme that celebrates the best work across advertising, design, digital, film & TV production, games and more is open for entries. Deadline: December 10
Rebranding cricket for a new age
The ECB has been expanding cricket’s horizons with the launch of a new tournament, The Hundred, this year. We look at how it’s been designed to breathe new life into the sport
Studio Blackburn on its We Mean Green campaign
Last week a revamp, albeit a temporary one, of the British Rail double arrow logo caused a stir in the design press and on social media. CR speaks to Studio Blackburn, the team behind the update, to get an insight into the project and how they felt about the reaction
Jana Traboulsi’s Kitab al-Hawamish explores the art of ancient ‘hyperlinks’
The designer’s Jameel Prize-listed book shines a light on some of the historic manuscript design practices of the Middle East, many of which connect back to the ways digital information is disseminated today
Meet the creatives who are challenging Western tastes
We speak to the creatives behind Instagram page Diet Paratha and type foundry Vocal Type about the need for a more diverse group of tastemakers in the creative industries
