The Economist’s latest campaign reacts to trying times
The billboard campaign harks back to AMV BBDO’s famous red and white ads for the publication, serving to remind its audience that good journalism is more important than ever
Pentagram’s playful new identity for Fisher-Price
Created by Emily Oberman, the refreshed identity sits alongside a new brand strategy led by Wieden+Kennedy featuring the simple tagline: Let’s be kids
An oral history of Comic Sans
Comic Sans occupies a dubious position in the design community, but there’s no denying its place in visual culture. CR sat down with creator Vincent Connare to discuss the rebellion that drove Microsoft in the 90s, and his thoughts on making the world’s most disputed typeface
How I Got Here: Milton Glaser
We talk to renowned graphic designer Milton Glaser about turning 90, what’s wrong with design today and why retirement is the furthest thing from his mind
Museum of the Home rebrand looks to reflect our changing domestic lives
Formerly known as the Geffrye Museum of the Home, the east London institution has been given a fresh look by dn&co ahead of its reopening next year
Stefan Sagmeister reflects on his Insta-based design clinic
For two years, graphic designer Stefan Sagmeister has been giving feedback on the work of his Instagram followers on a daily basis. CR speaks to the designer about why he does it and what he’s learnt about criticism
Studio Dumbar designs the new international logo for the Netherlands
As part of the country’s new identity, Studio Dumbar has designed a new wordmark for the Netherlands which gives a subtle nod to the national flower
Why creatives are jumping on TikTok
We speak to an illustrator, a filmmaker and a lettering artist who are making waves on TikTok about what it offers creatively that its competitors don’t already, and their advice for other creatives thinking about getting on the app
