Free Desk Here is a new initiative by Open Studio Club that looks to encourage creative agencies to offer up a free desk space in their studio to a young creative (of their choosing) to come in and get on with their own work…
Any agency can take part in the initiative, providing they can offer a free desk space, with the first 50 agencies to list a free desk on openstudioclub.com receiving a signed limited edition Anthony Burrill screenprint on fluro stock.
“The best bit about running an agency is when it’s full of creative people from lots of different backgrounds, disciplines and experiences,”says the initiative’s brainchild, Nick Couch of Open Studio Club.
“Many of the most interesting agencies out there recognise that you’ve got to constantly feed an agency’s culture with new people and ideas,” he continues.
Agencies that have signed up to offer up a free desk space (under the terms that are explained above) so far include Moving Brands (London), HORT (Berlin), Well Made Studio (Liverpool), Base (Brussels) and Lundgren+Lindqvist (Gothenburg).
“What excites me about Free Desk Here is that it gives a platform to small agencies to bring in someone that has a complimentary skill that could lead to future collaborations on projects,” adds Couch. “It’s also a great opportunity for people working independently to meet new people, expand their network and perhaps work together on future projects.”
If you’re a freelance looking for a free desk space or an agency looking to invite someone to occupy a desk in your studio, find out more about the initiative at openstudioclub.com/free-desk-here.
CR in print
The March issue of CR magazine celebrates 150 years of the London Underground. In it we introduce a new book by Mark Ovenden, which is the first study of all aspects of the tube’s design evolution; we ask Harry Beck authority, Ken Garland, what he makes of a new tube map concept by Mark Noad; we investigate the enduring appeal of Edward Johnston’s eponymous typeface; Michael Evamy reports on the design story of world-famous roundel; we look at the London Transport Museum’s new exhibition of 150 key posters from its archive; we explore the rich history of platform art, and also the Underground’s communications and advertising, past and present. Plus, we talk to London Transport Museum’s head of trading about TfL’s approach to brand licensing and merchandising. In Crit, Rick Poynor reviews Branding Terror, a book about terrorist logos, while Paul Belford looks at how a 1980 ad managed to do away with everything bar a product demo. Finally, Daniel Benneworth-Grey reflects on the merits on working home alone. Buy your copy here.
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CR for the iPad
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