As the world mourns the damage wrought to Notre Dame by fire, Superunion Creative Partner Paul Cardwell reflects on the influx of brands trying to help in its restoration, and questions whether it should even be rebuilt at all
Known for everything from punks to Sloanes, the King’s Road was in need of a new look for a new era. Winkreative enlisted the help of photographer Alexander Coggin and illustrator Alice Meteignier to revitalise it as a shopping and lifestyle destination
Developed by New York agency Gretel, the new visual identity and brand strategy emphasises Nike’s customisation offering as a ‘co-creation’ service for its customers
After 15 years out of circulation, The Face made a comeback this week with a red and white Instagram feed which we are told will be followed by an online magazine and print publication
The British charity continues to lead the way in its varied use of photography to tell the stories of the children it works with, with a new project highlighting its work in Afghanistan
Design teams know how intrinsic to business their work is, and yet they still often find themselves undervalued. Emma Sexton offers some concrete advice on how to solve the problem, and think differently about your team in the process
Designed by Marina Willer, the new identity centres on a colourful tree symbol which represents the different branches of work that the festival’s organisers carry out today
Google’s new gaming platform Stadia enters a crowded market that is renowned for strong branding and marketing. James Greenfield examines what its design identity says about its offering
Design studio Lovers has given the North London institution a modern facelift based on its rich cultural history, introducing a distinctive custom font and a brighter colour palette
New brand Manual tackles the potentially tricky topics of erectile dysfunction and hair loss, using clever design and witty advertising to set it apart
Should creative companies pitch for free? Designer Paul Woods tackles this thorny issue in an extract from his new book, How To Do Great Work Without Being An Asshole
Getting your audience to actively participate in the development of your brand, festival or event can provide both a great experience and real engagement with the end result. But doing it well is an art form in itself – we talk to Joe Hartley of Standard Practice for some tips
Advice and real life stories on the relationship between creativity and cash
Insights for crafting great experiences for art, ads, theatre, retail, public spaces, digital products and more
Inspiring stories, advice and insights on getting started in the creative industries
How creativity is making, changing and documenting places
