In 18 years, Red Bull Music Academy has become a global institution, with an annual residency scheme for emerging musicians, a radio station, a network of music studios and a year-round programme of events running in 60 countries. Creative review paid a visit to the 2016 Academy in Montreal to find out the secret to its success
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In her latest column, CR’s agony aunt Anna Higgs breaks down the benefits that data can bring to making creative work, but explains why it shouldn’t be leading all the decision-making
The creators of Wallace & Gromit have launched a campaign exploring mental health challenges including loneliness and the negative effects of social media
The photographer talks to us about his new book The Local, a personal reckoning with the realities of his hometown in Western Massachusetts caught between affluence and poverty
We speak to the creatives behind Gen Z icon Lil Miquela and the first virtual influencer to age over time, Sylvia, about the process of bringing them to life – and why the virtual influencer industry needs a rethink
From its surprisingly radical roots to its role post-pandemic, Jennifer Kaufmann-Buhler – assistant professor of design history at Purdue University – talks CR through the legacy of the open plan office
We talk to Wieden + Kennedy Portland, Droga5 London and Mother Design about bringing together design and advertising work under one roof, and the perception of design work produced at ad agencies
As Slowthai reveals his introspective side with new album Tyron, we speak to frequent collaborators Crowns & Owls about the album art’s attempt to crack the glossy veneer of fame, and why the Northampton-born rapper is still the voice of a generation
While the pandemic inevitably ushered in some changes to this year’s Super Bowl, we saw some familiar trends in the advertising around the big game
The London-based artist discusses the motivation and process behind her epic painted murals, which combine vibrant colour palettes with uplifting messages that are rooted in spirituality
Created by Twitter’s in-house team and French studio Irradié, the social media platform’s refreshed branding features an “intentionally imperfect” aesthetic and new brand font, Chirp
The artist and children’s book author shares how Covid derailed his travel and career plans and how he’s adapted his life and creative practice as a result
Donna Payne, Faber’s creative director, explains her creative process when designing a cover, and touches upon the impact of the pandemic and the boost in online sales it’s prompted
The ad agency’s new head of diversity, equality and inclusion talks to us about her experiences in advertising, her plans for the role, and why it isn’t about being the ‘PC police’
Murray Kerr, founder of architecture practice Denizen Works, shares his purposefully ‘naïve’ approach to design and discusses the challenges of leading his studio off the beaten path
The online exhibition features a mix of famous names and less-heard voices, who all use letterpress techniques to express their feelings on a range of contemporary issues
While art shown indoors may have temporarily lost its audience to the pandemic, street art is on the rise. Here, Hazel Davis reflects on how the medium is growing ever more part of the art establishment, yet can still be used as a force for change
JKR executive creative director Lisa Smith explains why the fast food giant ditched the glossy buns and embraced a bit of nostalgia, to become “how you imagine BK to be on its best day”
Having just graduated, the designer experiments with different styles and imagery in his posters to challenge himself and connect with the design community
Lucky Generals founding partner Andy Nairn talks to us about why brands and organisations should embrace strategies to encourage a stroke of luck – and also recognise the positives in bad fortune
