Revert to type

In 1991 , the emergence of new digital technologies was opening up the design of typefaces to a generation keen to push the limits of language and the very definition of what a font could be. Fuse, the experimental publication launched that year by Jon Wozencroft and Neville Brody, gave such designers a platform. As a new book brings together its 18 issues in one volume, Mark Sinclair reviews Fuse’s important, perhaps overlooked, contribution to graphic design