National Geographic is launching a new look for its May issue, with the strategy and redesign created with Godfrey Dadich Partners (GDP) billed as the “most significant overhaul of content and design since 2000”
We speak to Ned Read, founder and editor of football magazine Pickles about how the publication has outlasted others, growing a readership and the future of the magazine
It’s hard to imagine a graphics studio today causing so much outrage that a newspaper would call for them to be jailed for crimes against design, but that’s just the kind of extreme reaction that Hard Werken provoked in the Netherlands in the 1980s. Rick Poynor reviews a new book charting the rise and fall of a hugely influential and controversial design studio
We’ve made some changes. Today we announce the introduction of subscriber-only premium content online and the launch of our digital archive featuring over 400 issues of CR, all the way back to 1980
Gail Bichler, Design Director at the New York Times Magazine, explains how she came to be working on the weekly print title, what it’s like to design one of the world’s most respected magazines and creating stand-out covers
Where digital was once the go-to medium in photography, chosen for its ease and cheapness, photographers are now returning to film, in both their personal and commercial work. We examine why.
In our February/March issue, CR gets serious about being funny feat. Wes Anderson’s Isle of Dogs, Lisa McGee, Naresh Ramchandani, David Kolbusz, Roz Chast, Emily Oberman, Asterix, Stephen Collins, Dominic Wilcox and, yes, the DLR
The pulp fiction publishing phenomenon of the 50s and 60s created its own visual language of femmes fatales and men of action. A new show celebrates the illustrators behind the covers and examines their enduring appeal
Rugby is a new magazine about, yes, rugby, from the team at content agency Eric. Creative Director Simon Campbell talks us through the magazine’s design and how it’s trying to approach the sport differently
The Guardian’s switch to tabloid marks the end of an era. We talk to Creative Director Alex Breuer and Deputy Creative Director Chris Clarke about the thinking behind the redesign, creating a great reading experience in print and how a smaller format can help the paper tell bigger stories…
The Guardian has made its much-anticipated switch to tabloid format, carrying through the changes to its website and app as well. Some first impressions…
CR gets serious about being funny featuring
Wes Anderson’s Isle of Dogs, Lisa McGee,
Naresh Ramchandani, David Kolbusz, Roz Chast,
Emily Oberman, Asterix, Stephen Collins,
Dominic Wilcox and the DLR
