The Big Issue launches rebrand by JKR
Known for its eponymous magazine, the organisation has revealed a new vision and design language that brings its sub-brands together under Big Issue Group
Cannes Lions 2022 Grand Prix winners round up (and a few reflections)
The first Cannes Lions festival since 2019 has drawn to a close. Want to find out who won the Grand Prix awards this year? Well you’ve come to the right place
Reinventing Interview mag for a new era
Speaking at magCulture Live in New York, Interview’s editor-in-chief Mel Ottenberg and editorial & design director Richard Turley discussed how they are injecting a bit of fun back into the cult magazine
MC1R, the design-led mag for redheads, launches new sunscreen
With bold type and a new designer on board, the niche but beautiful mag’s latest issue also includes a feature by Erika Lust about redheads in porn, and a series of photographs showing redheads’ burnt bits
CNET’s new identity is inspired by the golden era of journalism
Collins has reimagined the tech-focused media company’s branding for a new chapter, also enlisting the help of illustrator Robert Beatty to introduce a more surrealist approach to its marketing
Are copyright battles destroying creativity?
In an industry where people are often badly paid, it’s important to protect the ownership of creative work and ideas. But is this leading to a litigious culture that will ultimately suppress creativity? Richard Holman examines both sides of the question
Aysha Tengiz uses colour and whimsy to reflect on the human experience
From joy to loneliness, Aysha Tengiz’s illustrations tackle the whole gamut of human emotions through a bright and bold visual language
The tension between art and commerce in Nigel Shafran’s work
After bringing a down-to-earth ethos to fashion imagery in the 80s and 90s, the photographer withdrew from the arena in which he had made his name. Now, a new book sees Shafran reflect on the relationship between his commercial and personal work
Woo is on a mission to rebrand wellness
Backed by ITV, the new media brand is ditching the wellness industry’s well-worn tropes in the hope of redefining self-care for Gen Z audiences
Campbell Addy’s journey to Feeling Seen
In just six years, photographer Campbell Addy has carved a distinctive place within the fashion industry. Here he talks to Gem Fletcher about his new book Feeling Seen and the importance of friendship, community and intimacy in his work
Iconic gay mag Butt magazine returns after a decade-long hiatus
The ‘surprise rebirth’ sees the mag relaunched with its signature pocket-sized pink minimalist design
The Future Issue of Creative Review is out now!
The February/March issue looks at what new technologies may mean for creativity, and how brands, educators and creators are thinking about the future – including CR as we unveil some changes of our own
How should studios support designers’ mental health?
Slides in the office and wellbeing workshops aren’t going to cut it anymore. We speak to design studios taking a more considered approach to mental health
Did somebody say Just Eat?
McCann London discusses how it made one of the most recognisable — and polarising — pieces of sonic branding around today
Starface is the viral skincare brand normalising acne
We speak to the team behind Starface about how it is using creativity, collaborations and a killer TikTok strategy to become the skincare brand of choice for Gen Z
The many faces of William Klein
The photographer and filmmaker’s exhibition at the ICP in New York celebrates the multifaceted nature of his practice over the course of nearly seven decades
Why brands need to let go of minimalism
Minimalism is the go-to design route for many brands. But by taking this safe option, they could be missing the opportunity to really stand out, says monopo London creative director Melanie Hubert-Crozet
Dionne Kitching on why play is better than perfectionism
The Manchester-based artist tells CR how embracing the element of chance, and stopping the endless quest for perfection, restored her love of illustration and gave her work a new lease of life
Why Ustwo became employee owned
We speak to the studio’s CEO, Carsten Wierwille, about its journey from being founder-run to becoming an Employee Ownership Trust, and how it hopes to inspire other creative businesses to do the same
The creative potential of 3D billboards
The humble billboard is evolving as creative uses of 3D imagery are being used to sell everything from movies to video games to sneakers. Here, Alex Wilson, ECD at brand experience agency Amplify, examines what they offer for brands
The challenges and creative innovations behind Abba Voyage
We chat to VFX wizards ILM and director Baillie Walsh about making ‘Abbatars’ come to life, creating visual ‘short stories’ from Abba hits, and more
Inside the epic design challenge of the Elizabeth line
Over 30 years in the making, the new Elizabeth line in London is a herculean feat of engineering, architecture and, of course, design. We speak to TfL’s head of design, Jon Hunter, about how it will change the face of transport in London and beyond
How Finisterre is paving the way for sustainable brands
Founder Tom Kay tells CR how he went from persuading bank managers to take sustainability seriously to running a much-loved clothes brand with a mission to get more of us to connect with the sea
Wine brand Stompy wants you to “sip more, snob less”
&Walsh’s branding for the wine subscription service strives to shake up the stuffy world of wine
Why the creative industry needs Channel 4
With the UK Government planning to privatise the 40-year-old broadcaster, CR speaks to current and former C4 employees about what makes it special, and the unique role it’s played in pioneering creativity
New Lacoste campaign emphasises the brand’s ageless style
Via a series of print ads and commercials, Lacoste demonstrates how its clothes will make you look cool, whatever age you are
What should the metaverse look like?
We look at how environments in the metaverse should be designed if they’re going to attract and maintain the interest of audiences – and who should get to design them
The changing face of finance brands
A raft of new personal finance brands are on a mission to win over Gen Z consumers. We examine how they are setting themselves apart from the millennial-friendly approach of more established challengers
What Charles and Ray Eames can teach designers today
Charles & Ray Eames didn’t just create iconic pieces of design – they thought of themselves as ‘tradesmen’ whose job was to create better, longer-lasting products. Llisa Demetrios, Eames Institute chief curator and granddaughter of the pair, discusses what we can learn from them
JKR rebrands Magnolia Bakery in New York, home of the cupcake
The brand, which leapt to fame after an appearance in Sex and the City in the 90s, has a new identity as it announces growth plans
Can you actually design a creative district?
Traditionally, creative communities have formed organically — but development companies believe that infrastructure and a ‘build it and they will come’ approach can be just as vital as following the hip crowd
Campbell Addy’s journey to Feeling Seen
In just six years, photographer Campbell Addy has carved a distinctive place within the fashion industry. Here he talks to Gem Fletcher about his new book Feeling Seen and the importance of friendship, community and intimacy in his work
