In the first of a new interview series, Anna Higgs talks to Glenn Kitson about combining a career as an ad director with being a ‘meme lord’, and his strategies to stay centred and fresh in a world which can often just want more of the same
Enter by February 16 to showcase your work to experts from the worlds of advertising, marketing and design, as well as CR’s global audience of over three million
Get your entries in by 5.30pm today, February 16, to be in with a chance of being part of this year’s Annual Awards showcase
As legendary French electro duo Justice ready their long-awaited fourth studio album, Hyperdrama, for release this April, their creative team reflect on re-working their iconic cross emblem for a new era
Admitting you don’t have the answer can be scary, but it makes for better work, better collaborations, and better outcomes, says RSA Films’ Bethany Papenbrock
This year rich storytelling and elaborate in-person shoots were favoured, and of course the creative possibilities of AI were utilised in our pick of the 10 best promos of the year
We speak to director Saad Moosajee about the creative process behind the promo for Sampha’s latest single Can’t Go Back, which uses techniques as varied as matte painting and glitch processing
Whether shooting music videos, directing commercials, or eyeing up a career in feature films, the director is determined to make work that challenges mediocre creativity
Guided by a ‘Tumblr mindset’, the Glaswegian photographer and director has taken the tangle of modern life and channelled it into his work
Breakthrough artist Mette took home three awards for her debut promo Mama’s Eyes, including video of the year, while Aube Perrie was named best director
The filmmaker and photographer’s first book, Monograph, reveals his eye for colour and compelling portraits, and includes an insightful conversation with Arthur Jafa
Back for their 21st year, Creative Review’s awards celebrate the very best in advertising, design and much more
AMV BBDO’s campaign for COPI shines a light on sewage spills in UK waterways with the help of a faecal-inspired font
Since losing his sight at the age of 19, the filmmaker has gone on to write and direct his first feature film, shoot a Super Bowl ad for Google, and set up a non-profit to help the next generation of disabled creative talent
We ease you gently into the fourth series of Creative Review’s podcast with a discussion on humour in advertising, looking at what works and what doesn’t
Speaking to experts in architecture and design, CR looks into how accessible wayfinding has improved by subtly tapping into other senses, and what it needs to do to be truly inclusive
In the first of a new interview series, Anna Higgs talks to Glenn Kitson about combining a career as an ad director with being a ‘meme lord’, and his strategies to stay centred and fresh in a world which can often just want more of the same
Aubrey Plaza stars in a spelling bee contest through the ages as part of a new short from Loewe, which addresses the long-standing confusion over how to pronounce the fashion brand’s name
Non-fungible tokens experienced a gold rush a couple of years ago, before mainstream interest waned and the market went into decline. Artist Robert Alice, who has edited an extensive new book on NFTs, talks to us about one of the most elusive, and divisive, web3 developments
The Anatomy of a Movie Poster exhibition brings together the award-winning designer’s portfolio of posters for films including The Silence of the Lambs, Little Miss Sunshine, and The Grand Budapest Hotel
Opening Line founder Zosia Swidlicka discusses why the world of brand language remains so misunderstood, and how it inspired her to create her new publication Between the Lines
An exhibition and accompanying monograph sheds light on the work of the photographer, designer and art director, who transformed the pages of Harper’s Bazaar over nearly a quarter of a century
It’s easy to assume that making the leap into movies is the holy grail for those in advertising, but the path between the two industries is far from one way
Shifting online success into the real world requires a delicate balance of staying authentic to the digital community while allowing space for others to join, says Paul Tynan, creative director at I-Am