The newly launched ‘festival’ from the BBC is reviving some of the many cancelled UK cultural events in digital form, alongside the announcement of a funding initiative in partnership with Arts Council England
Thanks to coronavirus, JKR had to set up over 100 employees to work from home practically overnight. Here’s how they did it, and what they learned about keeping creativity going when you can’t be in the same room
Creatives and companies the world over are offering help and support during the Covid-19 pandemic. Here is CR’s list of what’s available right now, which we will update regularly
Featuring three specially designed covers by Jimmy Turrell, the latest issue of CR takes a look at how truth and lies are influencing our lives and the creative work that we make, from storytelling in the post-truth era to fact-checking in the age of fake news
CR speaks to Plunge Creations, the studio that designed Unicorn, Tree, Queen Bee, and all the other psychedelic costumes that disguise the cast of The Masked Singer
Gaming’s creeping influence is being felt across the creative industry, particularly in immersive entertainment. We find out why there’s so much to learn from it, and how a generation that’s grown up playing games is now rethinking the way narrative works
Punchdrunk’s Stephen Dobbie and Game of Thrones Production Designer Deborah Riley discuss how great stories get told, and why the boundaries between on-screen and real-life narratives are blurring The ability to spin a good yarn is an essential skill in the creative industries. Whether you’re making a blockbuster ad campaign or a long-running TV series, […]
Augmented reality and new technology means set design is no longer just about the crowd – it’s a chance to connect with people watching around the world. Creative Studio Tawbox tells CR how live performances are becoming all-encompassing experiences
Stamped with one of Noma Bar’s trademark double entendre illustrations, our latest issue addresses the subject of fear. Whether it’s how to persuade clients to make the leap into the unknown, or the resurgence of well-crafted horror flicks
The Olivier Award-winning playwright shares his thoughts on the writing process – including why it’s important to sit on ideas, sometimes for years at a time, and how the ‘boring’ work can be key
With Channel 4 moving its HQ to Leeds next month, Hazel Davis takes a look at the thriving cultural scene in the city, as well as the challenges it faces to attract talent
Grime star Skepta’s contribution to the Manchester International Festival was part gig, part immersive theatre, and offered hints of how technology may change our experience of live events
