A new exhibition at the Museum of Science & Industry in Manchester explores the potential impact of ‘wonder material’ graphene through photography, poetry, conductive displays and a video installation by Rain Room creators Random International
We asked regular CR columnist and Koto co-founder/creative director James Greenfield to pick out his favourite five museum and gallery graphic identities from around the world. He looks at what makes them so successful and effective as pieces of communication
Our new issue is packed full of help and advice for anyone starting out in the creative industry, whether you are a new graduate or thinking of launching a new business
A month on from the vote that changed everything – and nothing – Rob Coke analyses the role of design in winning the argument for Leave
We invited CR readers to submit questions on anything from getting that first placement to funding your own business to Pip Jamieson, founder of creative network The Dots. We also added some of our own. Here are her responses
Have you been learning hand-lettering? Coding in a day? Knitting toys or whittling spoons in the woods? We want to know what the best creative workshop you’ve ever been on was – and the worst
Alasdair McLellan’s photographs trace the rise of London skate brand Palace from its early roots as the Palace Wayward Boys Choir to its store in Soho, documenting a certain aspect of London life along the way.
Mastercard’s logo – one of the world’s most recognisable – has been given a makeover for the digital age. Designed by Pentagram, the simplified mark features retains the brand’s distinctive red and yellow circles, but gone are the teeth, the capital C and a “dated” italic font…
Craft still matters in digital design, but, argues Code Computerlove’s Tom Bradley, more important is the process of development, and the ability to accept that sometimes you might be wrong.
Twenty years since its last issue, pioneering dance and performance magazine, Dance Ink, returns under the design direction of Abbott Miller at Pentagram