Five museums with great graphic identities

We asked regular CR columnist and Koto co-founder/creative director James Greenfield to pick out his favourite five museum and gallery graphic identities from around the world. He looks at what makes them so successful and effective as pieces of communication

Getting Started: CR August issue

Our new issue is packed full of help and advice for anyone starting out in the creative industry, whether you are a new graduate or thinking of launching a new business

We asked Pip

We invited CR readers to submit questions on anything from getting that first placement to funding your own business to Pip Jamieson, founder of creative network The Dots. We also added some of our own. Here are her responses

What’s the best workshop you have done?

Have you been learning hand-lettering? Coding in a day? Knitting toys or whittling spoons in the woods? We want to know what the best creative workshop you’ve ever been on was – and the worst

Pentagram designs new logo and identity system for Mastercard

Mastercard’s logo – one of the world’s most recognisable – has been given a makeover for the digital age. Designed by Pentagram, the simplified mark retains the brand’s distinctive red and yellow circles, but gone are the teeth, the capital C and a “dated” italic font…