Are virtual placements the future for grads?
CR explores whether remote internships and placements could become the new norm for grads, and how agencies could make it work
Ask Anna: How can I get the recognition I deserve as a freelancer?
Our agony aunt Anna Higgs offers advice on how to get due recognition – and maybe even an awards mention – when you’re a freelancer
How to showcase your work and grow your profile
You’ve done the work, but now what? We speak to illustrator Olimpia Zagnoli and Julie Cook, head of art at Mother London, to get the freelancer and commissioner perspective on how best to get your work and name out there
How to start your own business
Setting up shop can be a daunting prospect even for the most experienced creatives. Here, Ollie Olanipekun of Superimpose – and new venture Futurimpose – and ISSTUDIO co-founders Imogen Snell and Riccardo Castano discuss making your business idea a reality
How to find your style as a creative
Developing a unique aesthetic is by no means an easy or instant process for most creatives. Here, photographer Alex de Mora and illustrator Shyama Golden share their tips on how to find your voice when you’re starting out
How to keep your clients (and yourself) happy
What do you do when a client’s being difficult? Is it always worth arguing for your idea? CR tackles these, and more, with help from creatives across the worlds of advertising, illustration and film
The do’s and don’ts of pitching
Pitching as someone new to the creative industries can be tough, so here we talk to four creatives to get their tips on how to pitch and what to do with feedback that is less than positive
How to boost the chances of scoring a job in a downturn
It’s undoubtedly a challenging time for those looking for a job in the creative industries, but there are number of strategies you can employ to increase opportunities. We’ve gathered some insights from industry experts
What should you charge for your work?
We talk to agent Olivia Triggs, photographer David Ryle, and director, illustrator and animator Katy Wang for advice on costing up projects, negotiating fees and deciding how much to charge for your time
Why flexible working should now be standard practice for creative businesses
The coronavirus pandemic has forced many businesses to fully adapt to flexible working. Tanya Livesey explains why this should be a mandate going forward for creative businesses
How to make remote onboarding work
How do you start a new role when you’ve never even seen the office? And how do you handle WFH if this is your first job? We investigate how studios and agencies have managed the onboarding process during lockdown, and what it could mean for the future of remote work
Are children compatible with a creative career?
With lockdown forcing mums to bear the brunt of childcare and homeschooling, we ask what it’ll take to make creative careers more compatible with children and how the industry can begin to close the gender gap
