Are virtual placements the future for grads?
CR explores whether remote internships and placements could become the new norm for grads, and how agencies could make it work
Ask Anna: How can I get the recognition I deserve as a freelancer?
Our agony aunt Anna Higgs offers advice on how to get due recognition – and maybe even an awards mention – when you’re a freelancer
How to showcase your work and grow your profile
You’ve done the work, but now what? We speak to illustrator Olimpia Zagnoli and Julie Cook, head of art at Mother London, to get the freelancer and commissioner perspective on how best to get your work and name out there
How to start your own business
Setting up shop can be a daunting prospect even for the most experienced creatives. Here, Ollie Olanipekun of Superimpose – and new venture Futurimpose – and ISSTUDIO co-founders Imogen Snell and Riccardo Castano discuss making your business idea a reality
How to find your style as a creative
Developing a unique aesthetic is by no means an easy or instant process for most creatives. Here, photographer Alex de Mora and illustrator Shyama Golden share their tips on how to find your voice when you’re starting out
How to keep your clients (and yourself) happy
What do you do when a client’s being difficult? Is it always worth arguing for your idea? CR tackles these, and more, with help from creatives across the worlds of advertising, illustration and film
The do’s and don’ts of pitching
Pitching as someone new to the creative industries can be tough, so here we talk to four creatives to get their tips on how to pitch and what to do with feedback that is less than positive
How to boost the chances of scoring a job in a downturn
It’s undoubtedly a challenging time for those looking for a job in the creative industries, but there are number of strategies you can employ to increase opportunities. We’ve gathered some insights from industry experts
What should you charge for your work?
We talk to agent Olivia Triggs, photographer David Ryle, and director, illustrator and animator Katy Wang for advice on costing up projects, negotiating fees and deciding how much to charge for your time
Why flexible working should now be standard practice for creative businesses
The coronavirus pandemic has forced many businesses to fully adapt to flexible working. Tanya Livesey explains why this should be a mandate going forward for creative businesses
How to make remote onboarding work
How do you start a new role when you’ve never even seen the office? And how do you handle WFH if this is your first job? We investigate how studios and agencies have managed the onboarding process during lockdown, and what it could mean for the future of remote work
Are children compatible with a creative career?
With lockdown forcing mums to bear the brunt of childcare and homeschooling, we ask what it’ll take to make creative careers more compatible with children and how the industry can begin to close the gender gap
Does Design Twitter need a code of ethics?
Snarky comments do little to help the creative industry, but can Twitter be salvaged as a place for useful design discourse? Nicole Phillips and Craig Oldham discuss how to deal with negativity, and whether design Twitter needs a dose of online etiquette
Simon Bailly creates striking images set in a retro-future world
Working mainly on commissions for newspapers, Bailly adopts a ‘ligne claire’ style to create crisp, clean-cut illustrations
Navigating a career as a self-taught creative
Photographer Luis Alberto Rodriguez and designer Jordi Ng both forged a career without a formal arts education. They reflect on how they learned their craft, coping with insecurity and what taking an alternative route has brought to their practice
Bloomsbury’s Greg Heinimann on creating beautiful book covers
Greg Heinimann discusses his career journey from Waterstones bookseller to Bloomsbury deputy creative director, plus the secret to designing an eye-catching book cover
Creatives on the books that shaped them
We speak to figures from the worlds of design, advertising, and more about the books they’ve learned the most from over the course of their careers
Who will win the online education arms race?
E-learning, bootcamps and workshops are all booming, but what does it take to survive long term in the world of learning? Mastered’s Perri Lewis and SuperHi’s Rik Lomas discuss the big questions education providers face
One Hundred Years tells the story of Hackney through the ages
Published by Hoxton Mini Press, Jenny Lewis’ new photo book features 100 portraits of 100 Hackney locals – from a newborn through to a centenarian
How I Got Here: Hillary Coe, AKQA
Designer, drag racer and analogue astronaut Hillary Coe has joined AKQA as principal of experience, following a position as director of design at SpaceX. She talks to us about creating roles for herself that didn’t exist and embedding adventure into her life and work
The Fandangoe Kid on creativity as catharsis
Artist Annie Nicholson, aka The Fandangoe Kid, shares how grief has shaped her practice, and discusses the complexities of using creativity to work through trauma
Polly Irungu on creating Black Women Photographers
The platform Black Women Photographers was set up in 2020 to create a community that empowers Black women and non-binary photographers. Here Irungu discusses her motivations and the journey she’s been on
Penguin’s Len Deighton covers are a twist on classic 60s book jackets
A new Modern Classics collection of the British writer’s spy novels reinterprets the chevron graphics of Raymond Hawkey’s original Penguin paperback covers
Inside the VFX boom
The VFX artists behind Disney’s award-winning film The One and Only Ivan talk about tapping into their secret inner thespian and why VFX is in the midst of a golden period
Making sense of the NFT gold rush
NFTs have been all over the news, spreading a mix of confusion and excitement in equal measure. Here, James Britton, group managing director at Stink Studios, explores what opportunities they might open up for artists and designers
Donald Graham Burt on making a career in production design
The Oscar-winning production designer discusses his journey from night janitor to one of David Fincher’s most trusted collaborators, plus his work on the director’s latest film Mank
How design is bringing new places to life
The past year has created a new emphasis on our surroundings, leading to an acute awareness of whether areas really serve their communities. We explore how place branding and marketing have been adjusted to reflect this
Inter Milan introduces stripped back ‘I am’ logo
Bureau Borsche is responsible for the updated visual identity, which is tailored for digital environments and, according to the club, aims to “establish itself as an icon of culture as well as sport”
Why portrait photography is all about trust
CR speaks to three portrait photographers about why they were drawn to the art form, and the importance of trust and collaboration when working with a subject
Rachel Seidu’s photography captures what she sees around her
The Lagos-based photographer is inspired by her environment and favours close crops to capture the emotions of her subjects
Kara Haupt on art directing for daily news websites
Haupt is senior art director for the websites of NBC News, Today and MSNBC. Here she talks about the importance of commissioning and the pressure of millions of viewers every day
My breakthrough moment: Simon Buckley
“I wanted to be Ultravox, but sometimes I worry I’ve ended up like Joe Dolce.” Simon Buckley’s photograph of Manchester in the rain became a viral sensation in 2019. He explains what happened next
