The winners of this year’s New Blood Awards have been announced, with accolades handed to projects as varied as a hand-drawn animation for The National Autistic Society, a fabric labelling campaign challenging beliefs around British identity, and a typographic system aiming to help promote Chinese gender quality. For the 2017 event, D&AD awarded a total […]
D&AD has announced the winners of its New Blood student awards, with three black, four white and 20 yellow pencils going to projects for Nationwide, Airbnb, WeTransfer, WWF, Pantone, BBC, Vice and more.
Studio ShellsuitZombie has made a name for itself through its magazine made “by graduates for graduates” and its events programme for young creatives. Five issues in and fresh from appearances at D&AD New Blood and Leefest, design lead Alex Vissaridis explains how the zombies have continued to move beyond print
The identity and campaign for this year’s D&AD New Blood scheme was designed by The Office of Craig Oldham. Infographic-themed visuals include a wheel of muses, large-scale flow charts and supersized celebratory banners…
The winners of D&AD’s New Blood awards scheme were announced at a ceremony in London last night, with two black pencils and 30 yellows awarded to an inventive range of apps, posters and ad campaigns…
Once again D&AD New Blood has taken over Spitalfields Market in London, which has played host to the enormous graduate fair since 2012. As one of the judges of ‘best stand’, CR was lucky enough to have a look around prior to the opening – and so here are some of our highlights
Around 70 courses are represented at this year’s D&AD New Blood graduate show in London’s Spitalfields market. We pick out a few highlights
Though installed in a new venue, D&AD’s graduate talent hypermarket, otherwise known as New Blood, is as overwhelming as ever. Patrick Burgoyne battled through the private view crowds to find some favourites
New Designers, much like D&AD New Blood is quite a slog. The Business Design Centre where it is running until July 9 in Islington is vast. There’s a lot of ground to cover and there’s a lot to see. Here are my picks of the show…
CR paid a visit to this year’s D&AD New Blood show this weekend, and browsed through stands from universities all over the country. As always, the quality of work on show was high. Here’s our pick of the projects that stood out most for us.
The second installment of Mark Sinclair’s survey of the highlights of the D&AD New Blood graduate show
Last week CR helped to judge D&AD’s Best New Blood. Here’s a selection of what the judges thought were the best pieces on show this year, all of which can be seen at The Old Truman Brewery
The photographer discusses his journey from documenting war zones to capturing candid moments of some of the biggest celebs on the planet, plus why the best images often aren’t technically perfect
Education is vital to the UK’s phenomenally successful creative industries. Yet its value to the country appears to be going unrecognised in the government’s plans
The photographer and director has injected striking palettes into fashion photos, celebrity portraits, vibrant ads and her feature-length debut, Emma. She talks to us about navigating these different arenas and building worlds through music and colour
Reynolds brings his irreverent advertising approach to Father’s Day with a new cocktail for dads, featuring a good slug of Aviation Gin, natch
Territory Studio’s Andrew Popplestone discusses the evolution of games credits and title sequences, and how they’re moving ever closer to the world of film
In an age of turbulence, brands are seeing the benefits of a localised approach over a global one. Here, Ben Sillence, strategy director at Lewis Moberly, explores what this may mean for designers and creatives
With the internet now accounting for roughly the same amount of carbon emissions as global air travel, we look at what designers can do to help tackle our digital waste problem
Matthew Smith’s new book brings together his photographs taken across the flourishing British nightlife scene at the turn of the millennium
The director and former Wieden + Kennedy creative director looks back on the lessons he’s learned about peeling back the ‘veneer’ of advertising to make people laugh, cry, and truly believe in what they’re watching
The letters are addressed by the children to their older selves, and detail the world that they’d like to see in the future. The project, which will appear on billboards in the UK, is created to mark the one-year anniversary of George Floyd’s murder
In today’s complex media landscape, creatives are often expected to work across multiple mediums. CR speaks to those who’ve broadened their practice to understand the benefits and challenges of the multi-disciplinary life
The weekly German newspaper supplement has a track record of publishing abstract and playful images. We talk to Thomas Kartsolis and Birthe Steinbeck from the art direction team about risk, deadlines and the joy of analogue tricks
Our resident creative industry agony aunt tackles an age-old question from a reader: how to find a good work partner? Here she offers a range of solutions, including polyamory
To celebrate National Masturbation Month in the US, Elephant has created a series of billboards for K-Y to remove the stigma attached to female pleasure
A new show at the Design Museum is tracing the journey of the sneaker from sportswear staple to cultural icon. We explore how the marketing strategies of the biggest brands in the game have evolved hand-in-hand with the $80 billion industry
Women filmmakers have racked up long overdue accolades in recent film and TV awards. But what is the state of play in the commercial world?
We speak to the adland legend about his new gig as chairman of AI recruitment company Genie, plus how he thinks the industry will need to adapt post-Covid
Nike’s new ad is part of a campaign titled Play New, which emphasises the joy of taking part in sport, even if you’re a bit crap at it
From releasing its adaptive controller to tackling loneliness in older people, Xbox has proved how much creative scope there is for brands that commit to accessibility
Envisioned as Big Brother for the TikTok generation, content houses have become a mecca for influencer marketing in the US. So is the UK ready to follow suit?
Last year was dominated by the Covid-19 pandemic, but we also saw a number of other trends and developments emerge in the commercial creative industries. Here, we examine what they might suggest for the future
Hey Girls has released a chaotic campaign film directed by Margot Bowman, which aims to rile up viewers as a way of driving action
Often seen as old-fashioned, print and poster advertising is enjoying something of a renaissance. Our ad correspondent Ben Kay examines what might be driving the change
Social media sensation #FreeCuthbert is the latest example of how Aldi has used wit to appeal to customers and break through in a very crowded market. We speak to its long-time creative agency McCann UK about how the brand nails its relatable sense of humour
Tanu Muino is the filmmaker on every artist’s wishlist, following a string of hits for Lil Nas X, Cardi B and Rosalía. CR spoke with her about making blockbuster music vids, her love of Hieronymus Bosch, and why artists need to embrace the bizarre
The Spanish imagemaker discusses the making of her debut monograph, her collaborations with everyone from Solange to Rupi Kaur, and the evolution of her mission to challenge the male gaze
