D&AD New Blood 2015: the winners
D&AD has announced the winners of its New Blood student awards, with three black, four white and 20 yellow pencils going to projects for Nationwide, Airbnb, WeTransfer, WWF, Pantone, BBC, Vice and more.
New D&AD Ad Filter blocks bad advertising
Tired of watching terrible pre-roll ads on YouTube? Well, download the new Ad Filter from D&AD and you’ll only see award-winning work…
D&AD 2015: the winners
The winners of this year’s D&AD Awards were announced at a ceremony in London last night, with juries awarding five black pencils, four white and 44 yellow. Here’s our round-up of the most successful projects and agencies…
D&AD judging week
It’s long been an ambition of D&AD to make the judging process not only more open but also more of an industry event in its own right, a place for wider discussion about creativity and how it is applied. And a bit more fun too. This week, they pulled it off
Weapons of Reason: the little mag tackling some big issues
Creative agency Human After All has launched a free magazine in partnership with D&AD which aims to encourage debate around global issues from climate change to conflict.
Will you be getting wood at D&AD next year?
D&AD has introduced two new pencils to its awards line-up for 2015: wood and graphite. They will replace the old In Book and Nomination designations
D&AD releases 2014 Annual cover
D&AD has released the cover for its 2014 annual, designed by members of Australian performance and visual art collective, The Kingpins.
ShellsuitZombie: Undead but here to help you
Studio ShellsuitZombie has made a name for itself through its magazine made “by graduates for graduates” and its events programme for young creatives. Five issues in and fresh from appearances at D&AD New Blood and Leefest, design lead Alex Vissaridis explains how the zombies have continued to move beyond print
New Blood’s new look
The identity and campaign for this year’s D&AD New Blood scheme was designed by The Office of Craig Oldham. Infographic-themed visuals include a wheel of muses, large-scale flow charts and supersized celebratory banners…
D&AD New Blood winners 2014
The winners of D&AD’s New Blood awards scheme were announced at a ceremony in London last night, with two black pencils and 30 yellows awarded to an inventive range of apps, posters and ad campaigns…
The best of D&AD New Blood 2014
Once again D&AD New Blood has taken over Spitalfields Market in London, which has played host to the enormous graduate fair since 2012. As one of the judges of ‘best stand’, CR was lucky enough to have a look around prior to the opening – and so here are some of our highlights
D&AD’s ad winners: what’s missing?
D&AD, alongside other awards schemes such as the One Show and Cannes Lions, are seen as offering a snapshot of the very best work in advertising each year. This year’s winners list features some excellent work, but a number of great projects also slipped through the net: here’s our pick of the ones that got away…
Making sense of the NFT gold rush
NFTs have been all over the news, spreading a mix of confusion and excitement in equal measure. Here, James Britton, group managing director at Stink Studios, explores what opportunities they might open up for artists and designers
Donald Graham Burt on making a career in production design
The Oscar-winning production designer discusses his journey from night janitor to one of David Fincher’s most trusted collaborators, plus his work on the director’s latest film Mank
How design is bringing new places to life
The past year has created a new emphasis on our surroundings, leading to an acute awareness of whether areas really serve their communities. We explore how place branding and marketing have been adjusted to reflect this
Inter Milan introduces stripped back ‘I am’ logo
Bureau Borsche is responsible for the updated visual identity, which is tailored for digital environments and, according to the club, aims to “establish itself as an icon of culture as well as sport”
Why portrait photography is all about trust
CR speaks to three portrait photographers about why they were drawn to the art form, and the importance of trust and collaboration when working with a subject
Rachel Seidu’s photography captures what she sees around her
The Lagos-based photographer is inspired by her environment and favours close crops to capture the emotions of her subjects
Kara Haupt on art directing for daily news websites
Haupt is senior art director for the websites of NBC News, Today and MSNBC. Here she talks about the importance of commissioning and the pressure of millions of viewers every day
My breakthrough moment: Simon Buckley
“I wanted to be Ultravox, but sometimes I worry I’ve ended up like Joe Dolce.” Simon Buckley’s photograph of Manchester in the rain became a viral sensation in 2019. He explains what happened next
Confessions of a former Trump designer
As the founder of social impact agency Smakk, Katie Klencheski’s mission feels a million miles away from the Trump Hotels brand that she helped establish in the early noughties. She discusses how the experience taught her the importance of practicing what you preach
Photographers finding humour in the streets
Everyday life is packed with unintentionally comical moments – if only you have the skills to spot them. Here, three photographers discuss ways of capturing humour on our streets
Documenting the drag explosion
Armed with her camera, Linda Simpson found herself at the heart of New York’s burgeoning drag scene in the 80s. Her new book gives an insight into the hedonistic heights and melancholic lows that came to define the era
Radio 2 becomes one of the family in quirky new campaign
Presenters including Sara Cox and Rylan Clark-Neal join some enjoyably awkward family photos, complete with matching outfits, disgruntled children and swathes of 80s lycra
An oral history of the Old Spice ads
First launched in 2010, Wieden + Kennedy Portland’s shirtless one-shot ads for P&G brand Old Spice turned heads and spawned a cascade of spinoffs. We retrace how the ads were made with the creatives as well as The Man himself, Isaiah Mustafa
Alex Merto on his less is more approach to book cover design
Having designed book covers for around ten years, Merto says his process is driven fully by the book rather than his own personal style
Tackling graphic design’s relationship with race
In new book The Design of Race, Peter Fine discusses how technology, graphic design, typography and photography have all influenced ideas of race in America
The golden age of webcomics
Dwindling attention spans and a hunger for immediate punchlines mean webcomics are flourishing – and they have plenty to teach us about what the internet finds funny. We talk to artists Alex Norris, Sarah Andersen and Reza Farazmand to find out more
How I Got Here: Nicholas Blechman
The New Yorker creative director talks about his first job in the industry and how to avoid predictability in editorial design
Are brands the new mansplainers?
Brandsplaining is a new book tackling how women are addressed and represented in marketing. We talk to the authors about the ‘femvertising’ trend and why brands mustn’t rest on their laurels
How I Work: Nadia Lee Cohen
As she releases her first monograph, Nadia Lee Cohen discusses the inspiration behind her surreal images – which draw heavily on cinema and Americana – and the curious characters who frequent her photos
Heinz website stunt takes 57 minutes to load
Website Holdforheinz.com was designed for the more patient ketchup lovers among us, embracing a purposefully drawn out loading process to show that “good things take time”
